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...tone of this production is set at the very outset by designer Marsha Eck's pretty picture-frame made of candelabrum-adorned Corinthian pillars, and a foliage-sprouting crosspiece bearing the play's title in flowing letters. The opening mood is buttressed by Conrad Susa's bright E-major fanfares that lead into a section for hidden singers and pastoral woodwinds punctuated by airy strokes on a glockenspiel. And Jane Greenwood, using the late 16th-century as a period, has provided dozens of stunning ruffcollared costumes...

Author: By Caldwell Titcomb, | Title: AMERICAN SHAKESPEARE FESTIVAL: I 'All's Well That Ends Well' in Rare Revival | 7/2/1970 | See Source »

...problem closest to home, and studied it there, was George T. Singleton, an ear, nose and throat man at the University of Florida. He noticed that when he picked up his teen-age daughter Marsha after a dance she couldn't hear what he said in the car on the way home. Singleton recruited a research team and tested the hearing often 14-year-old ninth-graders an hour before a dance. Then tne investigators went to the dance hall, and found the average sound intensity to be 106 to 108 db in the middle of the dance floor...

Author: /time Magazine | Title: Otology: Going Deaf from Rock 'n' Roll | 8/9/1968 | See Source »

...onetime soloist with Marsha Graham, Cunningham has earned international acclaim with the small, highly honed company he formed...

Author: /time Magazine | Title: The Dance: Having a Ball in Brooklyn | 5/24/1968 | See Source »

...force, in the same period, increased from 26% to 36% as more blue-collar women moved into the jobs such men might have held. Determined women are still finding new opportunities. Since women buy 45% of the liquor purchased in the U.S., Schenley Industries Inc. last fall hired blonde Marsha Lane, 39, for the newly created executive position of "women's marketing consultant." Other women are making their marks in other fields. Among them...

Author: /time Magazine | Title: Employment: Caution: Women at Work | 5/24/1968 | See Source »

...soloists were as gratifying as Sorensen. Regulars Marsha Vleck and Jane Struss gave creditable enough performances but had relatively little to do. Struss's solo work in "Gottes Zeit ist die allerbeste Zeit" (BWV 106) had an uneasy, unsettled quality, probably the result of a case of nerves. Bass Francis Hester revealed a rich and well-trained voice, but his murky German detracted from his performance...

Author: By Robert G. Kopelson, | Title: The Cantata Singers | 2/12/1968 | See Source »

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