Word: marta
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Dates: during 1930-1939
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Though her tale is tangled, the plot of the story is simple enough. Two girlhood friends. Marta and Pauline, not yet apparently fat but obviously fortyish, have for-gathered in Paris. Russ, an old pal, a U. S. businessman stationed in Antwerp, squires them through Belgium, hopes to join them for a few days in England. But business keeps him in Antwerp till Pauline's boat has sailed, so he keeps the date with Marta alone. They have a mildly amorous affair, with no strings attached, and part, perhaps forever. All the time, however, they are really in love...
Victor's Raymond Sooy was responsible for the new version of Vesti la giubba which, with M'Appari from Marta on the reverse side, was put on sale last week in record shops all over the U. S. Raymond Sooy. who engineered the making of the original Caruso records, felt that full justice had to be done to his friend's voice. He consulted Conductor Nathaniel Shilkret, Victor's able handyman, who proceeded to memorize Caruso's interpretations, each long held note, each sob and sigh. Conductor Shilkret donned earphones, then summoned his orchestra...
...Indian woman had attached herself to him and refused to let go. Also Esteban was beginning to dabble in the fire of revolutionary politics. When he simplified everything by leading his tough soldiers in a successful revolt he knew he had lost Favia forever, but he knew Marta was really more his style...
...standard grand opera, two of light opera (this year, Vincent Youman's & Herbert Stothart's Wild flower and Rudolf Friml's Firefly). Conductor is Isaac Van Grove. Of the able if not world-celebrated singers the most popular are Sopranos Myrna Sharlow and Josephine Lucchese. Contralto Marta Wittkowska, Tenor Forrest Lamont, Basso Herbert Gould. Last year the Zoo Opera was in need of patrons, felt that an endowment campaign would be necessary if it was to continue. One of its two great patrons died six years ago-Mrs. Mary Emery. The other was Mrs. Annie Sinton Taft...
Despite the excellence of the opening Samson et Dalila last week all was not well with Cincinnati's Zoo Opera. Contralto Marta Wittkowska expertly bewitched her Samson who was Tenor John Sample. He in turn tore down the pillars of the temple with all the fine frenzy of an injured beast. But uppermost in many a listener's mind stayed the thought that Cincinnati might not long have its summer Zoo performances. Manager Charles G. Miller sounded the warning before the season began. The Zoo is a private venture for which the late Mrs. Mary Emery...