Word: martha
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Neela Marikkar, spokesperson for SriLankaFirst, and Martha Segura, director of the Colombian Confederation of NGOs, agreed that the greatest challenge the U.S. faces in combating terrorism is in understanding the other side’s claims...
...Richmond remembers exclaiming when she first saw Snappy perform at a fund-raiser. She says she felt there was “this incredible similarity” between her photography and the dancing. Soon Richmond was in touch with Snappy Artistic Director Martha Mason and sitting in on the company’s rehearsals. Before long, Richmond, whose previous installations were all of inanimate objects, decided the acrobatic Snappy dancers would make ideal subjects...
...recipe for Stanley Donen's romantic thriller Charade, with Cary Grant and Audrey Hepburn. Now it's a sorry mess called The Truth About Charlie. From Grant and Hepburn in Charade to Mark Wahlberg and Thandie Newton in Charlie, the charisma drop is steeper than that of Martha Stewart's stock price. Director Jonathan Demme's jittery melange is shot in punishing close-ups by a Ritalin-deprived camera circling the actors like a Formula One driver racing around the Place de la Concorde. Donen got it gloriously right the first time. Why do it again...
...concept when he realized that "weasels had gone from being the exception to the norm, kind of infested all of society, from the cubicle next to you to your boss to the government, obviously, where it all started; then it was in the church, and maybe it's Martha Stewart--you don't know--and pretty soon it's everywhere." In chapters like "Financial Weasels" and "Weasels Are from Venus," Adams gives the Dilbert philosophy a fresh spin for the age of corporate scandal. "The worse things get for the world," he says, "the better it is for the Dilbert...
...Oceanid” and “Back to Bach,” the two newly-premiered pieces he choreographed, Mateo is as much working within the classical idiom of épaulement, glissade and ballotté as with the vocabulary of modern choreographers like Martha Graham. Mateo says his choreography moves beyond a mere extension of the tradition to translate “the intrinsic arrogance and aloofness of ballet” into that which is accessible to contemporary audiences of all “ethnic and economic backgrounds...