Word: martin
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Dates: during 1970-1979
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...People were walking out in droves," recalls Thomas Meehan, who wrote the script. The company began to follow. Director-Lyricist Martin Charnin, part of the team that made Annie a success, was replaced by Cy Feuer, producer of such hits as Guys and Dolls and Can-Can. "There was a confrontation between Liv and me as to how the musical would work," explains Charnin. Cohen and Feuer decided that more excitement was needed. Enter two dancers. They did not fit and were fired. A new choreographer arrived with six more dancers. Rodgers, well known for his speed in composing...
...pretenders to the throne at bay by hiding the state seal under his wheelchair cushion until the succession battle was resolved. In 1968 Fortson again demonstrated his determination by defying the wishes of Segregationist Governor Lester Maddox and lowering state flags to mark the death of Civil Rights Leader Martin Luther King...
Massachusetts General Hospital (MGH), according to Martin S. Bander, deputy to the general director, has established two categories of incompetent patients--those who are "imminently, terminally ill" and those who are terminally ill but for whom death is not imminent. The definition of imminence is dependent on a "combination of circumstances depending on the illness," Bander says...
...later years, as the civil rights scene changed, as the Brotherhood of Sleeping Car Porters declined along with the nation's railways, Randolph's reputation was eclipsed by that of Martin Luther King Jr. and other black leaders. But he was still an insistent voice for moderation in the background. "Don't get emotional," cautioned the man who was always able to exert pressure without getting personally involved. Though he had often been critical of the AFL-CIO for its treatment of black members, he remained totally loyal to trade unionism as a salvation for social wrongs...
...cartoons he shows-including a couple of kindergarten antiprejudice tracts-were long-ago gifts from his grandfather. "The audience," says his collaborator Bob Zmuda, 29, "is asked to become babies again." This is a sort of low-level exercise in primal manipulation that might turn precious, like a Steve Martin extravaganza of silliness. But Kaufman, whether he chooses to acknowledge it or not, is up to something a good deal more ambitious. He is continually questioning, then undermining the idea of what is funny. "Andy takes a lot of risks," Zmuda says. "What performer in his right mind would...