Word: martina
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Dates: during 1960-1969
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...says, "people seem to pigeonhole you. I enjoy it, though. I'd go out of my mind if I sang nothing but Tosca and Traviata." Reardon pragmatically divides compositions into only two categories: music and nonmusic. "Some things I won't do," he says. "I once heard Martina Arroyo do a work called Momente by a composer I have forgotten.* She was called upon to make all kinds of sounds, including bird chirps and grunts. Now that I would refuse. You're not singing anything, so why not just get someone who can make noises...
DUBROVNIK (through Aug. 25). The rugged scenic beauty of this Yugoslav seaport offers a feast for the eye while the ear attunes to the sounds of the Amadeus Quartet and the Zagreb Philharmonic. A glittering array of artists, including Soprano Martina Arroyo, Cellist Mstislav Rostropovich, Violinist Isaac Stern, and Pianists Sviatoslav Richter and Alexis Weissenberg will all be on hand...
STOCKHAUSEN: MOMENTE (Nonesuch). Karlheinz Stockhausen, the loudest noise in German electronic music, temporarily puts aside his tape recorder for something a bit-but just a bit-less far out. This time he turns on Soprano Martina Arroyo, backed by 13 instrumentalists and four choral groups equipped with sticks and boxes. The resulting hour-long piece is wild stuff all right; at times it sounds like a crowd clapping and hissing at a madwoman who jabbers and trills like a bird. The accompanying explanatory notes, formulas and diagrams are most scholarly...