Word: martine
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...that the point of why we watch the Oscars in the first place? Nobody went into last year’s awards thinking Roman Polanski or Adrien Brody had a chance at winning their awards; both were nominated in categories that became two-way races (Rob Marshall and Martin Scorcese for Director, Jack Nicholson and Daniel Day-Lewis for Best Actor) of which neither was considered a viable contender. Their richly deserved triumphs for their work in 2002’s best film not only made the show’s third act immediately exciting (could The Pianist actually ride...
...presentation to the Faculty Council on Wednesday, Faculty of Arts and Sciences (FAS) Dean for Research and Information Technology Paul C. Martin presented a report that plotted the University’s path to ensure academic openness in the face of post-Sept. 11 research restrictions...
...Huntington Theatre Company, in its fourth season under its imported New York artistic director, Nicholas Martin, is finally taking up the mantle of a premiere regional theater. In other words, it is finally done planting its feet as it moves through a season that has put Nathan Lane on its stage, and as it stands at the helm of the first major building project of the last 75 years of Boston theater history, a project funded by seven banks and Boston corporations...
...turning point for the Huntington came with the arrival of Nicholas Martin in 2000. Previously working in Broadway and Off-Broadway and as resident director at the Williamstown Theatre Festival (which still maintains strong ties with the Huntington, as the same people tend to work in both places), Martin was hailed as a second creative wind after a stagnant period for the company. He was a working director. He had won an Obie. He knew Ethan Hawke and Nathan Lane...
...while Martin brought his directing experience to bear on the Huntington’s artistic direction, the decisions he made did not move the company’s artistic vision into the sole hands of the director. So he decided to hire a dramaturg. He began to explore scripts and looked for newness, not in directorial interpretation or adaptation, as has become the hallmark of the ART, but in new texts...