Word: martinelli
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Dates: during 1970-1979
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Hockey. Ask me about the Islanders and I'll tell you spinetingling tales of Chico Resch saves, Bryan Trottier dekes and Mike Bossy wrist shots. Ask me about RPI and I'll recount the exploits of Dino Serra, Barry Martinelli, Steve Stoyanovich and other creative names. Ask me about the Bruins and I'll laugh...
Most of my college hockey experience comes from watching RPI during interludes at my Albanian (N.Y., not Europe) grandparents'. The names of Serra, Martinelli and other former Engineer frontliners may not ring a bell, but Harvard skaters remember Stoyanovich (who, incidentally, has been drafted by the Islanders) all too well, for it was he who blasted one of his patented slapshots past Wade Lau to defeat the Crimson last November...
...notes do not a tenor make. At least they shouldn't even though high C's account for Mr. Pavarotti's sudden fame. Caruso was a B-flat tenor, as were, Pertile, and Schipa. High C's were simply out of their performing range. And some past greats, like Martinelli and Pertile not only lacked good high notes but lacked beautiful voices altogether. They made their reputations on vocal excitement and elegance of interpretation. Today most tenors sing with plodding monotony; no variety of color, no subtlety of phrasing, no dramatic imagination. Mr. Pavarotti uses his voice with...
...30th anniversary with New York's Metropolitan Opera, Tucker at 60 collapsed and died of a heart attack in Kalamazoo, Mich., where that night he had been scheduled to sing a joint recital with his friend, Baritone Robert Merrill. Among Met tenors only Giovanni Martinelli outlasted Tucker, with 32 seasons...
...favorites of 19th century French opera. Set in 1 5th century Switzerland, the story concerns the persecution of Eleazar, a Jewish goldsmith, and his foster daughter Rachel. Before his execution, Eleazar gets to sing one of the tenderest arias in tenor literature, Rachel, quand du Seigneur. Caruso and Martinelli sang the role, and Richard Tucker has been begging for years to sing it at the Met. So far, he has had to settle for a staged performance in New Orleans last October and two concert versions. While the opera may not be rich enough to justify the cost...