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Home from Europe last week General Manager Giulio Gatti-Casazza summoned Manhattan pressmen to his office in the Metropolitan Opera House, majestically informed them that Verdi's A'ida would open the season Oct. 27. Singers: Soprano Maria Mueller, Contralto Karin Branzell, Tenor Giovanni Martinelli, Baritone Giuseppe de Luca. Conductor: Tullio Serafin. The Metropolitan's season in Brooklyn will begin Oct. 28 with Puccini's Boheme (Soprano Lucrezia Bori, Tenor Edward Johnson); in Philadelphia the same evening with Ponchielli's Gioconda (Soprano Rosa Ponselle, Tenor Beniamino Gigli...
Last week began Ravinia's 19th season, with a personnel including such international figures as Sopranos Lucrezia Bori and Elisabeth Rethberg, Tenors Edward Johnson and Giovanni Martinelli, Basso Leon Rothier. Again its conductors are Gennaro Papi and Louis Hasselmans, its chief dancer Ruth Page. Again the orchestra is taken from the Chicago Symphony. The repertoire will be chosen from 40 or more operas. New this year: Vittadini's Anima Allegra to be given with Bori, Smetana's The Bartered Bride with Rethberg, Meyerbeer's Les Huguenots with Soprano Yvonne Gall, leading soprano of the Paris Opera...
...Favorite. Respighi's La Campana Sommersa (The Sunken Bell) was the opening performance at Ravinia last week. Rethberg sang coolly and easily the difficult, trickling music of Rautendelem, the elf from the bottom of the well. Giovanni Martinelli loudly cried the woes of the bellcaster bewitched by her. But for most Ravinians the second performance was first favorite of the season: L'Amore del Tre Re with Bori...
Among the singers who will appear are Sopranos Rosa Ponselle and Lucrezia Bori, Tenors Beniamino Gigli and Giovanni Martinelli, Baritones Lawrence Tibbett and Giuseppe De Luca, Basso Ezio Pinza. Since no German operas are to be given on the road, German members of the company were left free to sail for Europe at the end of the home season. Proudest of those sailing this year should be Conductor Artur Bodanzky whose uncut performances of the Wagner Ring operas were the outstanding individual achievement of the season...
...awarded an eight-foot wreath, Belasco was "divinely happy." Yet he declared he was happier last week. Jeritza and he took a dozen bows together. He kissed her hand. She kissed his cheek. The other players did not count. As Forty-Niners they were patently masquerading. Tenor Giovanni Martinelli (Dick Johnson) had suffered and sobbed in the best Italian manner. Baritone Lawrence Tibbett (Jack Rance) was more credible, but looked funny in an Abraham Lincoln makeup. It was Jeritza who raised the performance above incongruity, saved the plot from appearing like any cinematic melodrama. She made comedy in the first...