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...Martin Luther King Jr., 1964 By Robert Vickrey...

Author: /time Magazine | Title: The Art of TIME | 4/3/2008 | See Source »

...concert films are starting to envelop audiences in a way nearly as dramatic as live events, at a fraction of the price. And audiences--and the market--are responding. Acts as disparate as U2 and the Metropolitan Opera are appearing this month in multiplexes all over the world. Even Martin Scorsese is giving a nod to the audience's higher sensory appetites, releasing his Rolling Stones film, Shine a Light, in the larger-than-life IMAX format...

Author: /time Magazine | Title: Hannah Montana Live! (Sort of) | 4/3/2008 | See Source »

...that standing outside the beacon Theatre in Manhattan after the 2006 (and, possibly, the 2,006th) concert by the Rolling Stones? Why, it's Martin Scorsese, instructing a camera operator to catch the action on the street and above. Gloriously above. The shot zooms upward from Scorsese to catch the crowd, then higher and faster so we see the marquee, then the neighborhood; and faster still, in an astronaut's view of receding Earth, until we can see all of Manhattan island illuminated by a full moon that dissolves into the Stones' jolly red-tongue logo. In Shine a Light...

Author: /time Magazine | Title: Scorsese's Moonlighting Gig | 4/3/2008 | See Source »

...groups and YouTube broadcasts to draw crowds. Despite some clashes with police, the marches were significantly more peaceful than the militant student mobilizations of Latin America's past. "We believe in a civic, peaceful fight," Sánchez says, citing the examples of Mohandas Gandhi, Nelson Mandela and the Rev. Martin Luther King...

Author: /time Magazine | Title: Peace (at Least a Little) on Earth | 4/3/2008 | See Source »

...dedication often manifested as stubbornness, but that was only because screenwriter Abby Mann believed it was his duty to contribute to the betterment of mankind. His works tackled complex social issues: the assassination of Martin Luther King Jr., the challenges faced by mentally disabled children and, in his best-known screenplay, 1961's Oscar-winning Judgment at Nuremberg, the accountability of those who worked with the Nazis. He was known to recall his works if he didn't like the way they had been adapted, often out of concern that they would lose their social relevance. "A great screenwriter should...

Author: /time Magazine | Title: Milestones | 4/3/2008 | See Source »

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