Word: martinisms
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...Chekhov and has seen a few more (but only a few) Shakespeare plays. He goes to movies rarely and says that for 11 straight years, starting in 1980, he didn't see a single one. (The last film he saw before he quit was Raging Bull, directed by Martin Scorsese and starring Robert De Niro; the first one when he came back was Scorsese and De Niro's Cape Fear, so he figured he hadn't missed much.) He avoids the media spotlight, living in Seattle with his third wife, a costume designer, and their seven-year-old daughter...
University President Lawrence H, Summers expressed a desire to support an M.D./Ph.D. program in the social sciences in a fall 2003 meeting with Joseph B. Martin, dean of HMS, and Nancy Andrews, dean for basic sciences and graduate studies at HMS. In the winter of 2004, a faculty committee convened to begin constructing the social sciences track, according to Burnley...
...think less. I'm trying to find a balance. You know the old Sun Records, the way they would sound with just the upright bass and guitar and snare drum? That's the sound I love the best. My sound is basically backbeat and Stratocaster guitar or an old Martin guitar. Playing with a synthesizer is not really as much fun as playing with an instrument. I guess those machines are for people who are more inclined to be visionaries, who imagine something and work it out. As opposed to people who carry it around with them. That's what...
...about Anzac Day. I told them it's a day of celebration, and whether you are in the military or not, it's about how you contribute to our country and its future. And I think Australians see that. I took two of my children to the service in Martin Place in Sydney last year and we couldn't get near the Cenotaph - there were so many people of all ages and ethnic backgrounds, a real cross-section of the community. I think Australians look around the world and see a lot of death and destruction, but when they look...
When the lights first dimmed, the aptly-titled dance “Emergency” (choreographed by Jetta G. Martin ’05) hit the stage. Against a screen backdrop that urgently reflected a stark red light, maroon-sleeved dancers crowded the stage in movements that were alternately well-coordinate and disjointed. Whether or not the assumption and loss of uniformity was deliberate, the entire play proceeded and matched seamlessly the oblong and stacatta-driven notes of the soundtrack composition (written impressively by Patrick J. Bradley ’05). Although the dancers’ lack of coordination...