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Czech Composer Bohuslav Martinu wrote a slapstick one-act opera in 1937 called Comedy on the Bridge. It was a satire on war, and everybody had a good time when they heard the Prague radio premiere that year. Says Expatriate Martinu, sad-eyed, 60, and full of memories of Munich and its aftermath: "Six months later, I could not have written...

Author: /time Magazine | Title: Music: New Limelight at 60 | 6/11/1951 | See Source »

What I tried to express was my belief that not all Czech music is great music. As a Czech, I could hardly dismiss such composers as Smetana, Dvorak, Janacek and Martinu...

Author: /time Magazine | Title: Letters, Mar. 13, 1950 | 3/13/1950 | See Source »

...conductor of the Minneapolis Symphony) reorganized it and made it for the first time a competent, nationally respected organization. Hendl has continued Dorati's tradition of introducing new works. With Rudolf Firkusny at the piano last month, he conducted the orchestra in the world premiere of Bohuslav Martinu's Piano Concerto No. j. This week, in an all-Strauss program, he presented the U.S. première of one of the late composer's last works, his Concertino for Clarinet, Bassoon, Harp and Strings...

Author: /time Magazine | Title: Music: One of the People | 12/26/1949 | See Source »

Fine is highly esteemed by Koussevitzky and has been closely associated with him as a student of conducting at Tanglewood. Not long ago, Koussevitzky called him in unexpectedly to play the piano solo in the Martinu Concerto Grosso. During the rehearsal, Fine, who was reading the work for the first time, made a mistake. Koussevitzky mistook his grimace for a smile and stopped the Orchestra. In the thick Russian accents which defy reproduction, the Conductor announced, "When we make a mistake in this Orchestra, we don't laugh; we weep!" Koussevitzky was so impressed with the epigram that after...

Author: By Herbert P. Gleason, | Title: Faculty Profile | 4/13/1949 | See Source »

...Coolidge Prize for chamber music compositions and began commissioning works by contemporary composers. The list of those she has helped in this way, who have dedicated their works to her, contains virtually every name in modern music. Stravinsky, Schoenberg, Malipiere, Ravel, Copland, Milhand, Sowerby, Piston, Bartok, Martinu, Hindemith, Harris, Hanson, Prokoileff, and Britten are among the composers who have benefited from her generosity. In fact, at a recent con- cert, her son pointed out that Beethoven was the only man on the program who had not dedicated his composition...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 1/19/1949 | See Source »

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