Word: martirio
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...only daughter whose wedding will ensure her escape from the house, Angustias’ haughty demeanor and unrealistic optimism after her engagement are well captured by Morton’s patronizing airs.Alison H. Rich ’09 also proves herself to be a strong first-year actress as Martirio, a deeply observant and physically handicapped sister whose sabotaged love affair leads her to attempt to curtail Adela’s headlong impulses; her cutting remarks bring a sarcastic humor to the show. And the maid Ellen C. Quigley ’07, who serves both as an additional source...
...British press is playing his win as a redemption story. But does the book really make up for the long rap sheet? Vernon God Little is a black comedy about a luckless teenage loser living in Martirio, billed as the Barbecue Sauce Capital of Texas. Little's friend Jesus Navarro has just committed a horrendous Columbine-style massacre at their high school, and Little, who was in the wrong place at the wrong time, gets charged as an accessory. Little's desperate attempts to exonerate himself only wind up exposing the venal hypocrisies of the people around...
...play to its bloody conclusion. He asks the hand of Angustias, the eldest and richest daughter, a shriveled 39-year-old spinster. At the same time, he carries on an affair with Adela, the youngest Alba daughter and the only beauty in the family. Another sister, the hunchback Martirio, is also in love with Pepe. The rest can be left to the imagination of the reader...
Gilian Shallcross admirably brings out the envy and despair of the unappealing Angustias. Pat Collinge as Martirio controls a part that could easily be overplayed, and Anne Crawford and Mary Lambert do a commendable job of defining two other sisters whose characters Lorca left somewhat vague. Saralaine Evans, unfortunately, has some difficulty with the role of Adela. She moves stiffly and occasionally declaims in a monotonous, over-dramatic voice in a way that never lets one forget she's acting...
...Conductor Newell Jenkins' Clarion Concerts, which for two years have made a distinguished name by searching out musical curiosa, in a Town Hall concert featured Alessandro Scarlatti's rarely performed oratorio, II Martirio di Sant' Orsola. An unpretentious work, it had little true dramatic tension but was supported by a vocal latticework of wonderful warmth, tenderness and transparency. Elsewhere on the program. Conductor Jenkins exhumed a wonderfully flourishing Trumpet Suite by 17th century English Composer Jeremiah Clarke, and played Mexican Composer Carlos Chavez' Symphony No. 5, a propulsively rhythmic work for strings that ran hard...