Word: marton
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SEPARATED. Peter Jennings, 48, dapper anchor of ABC-TV's World News Tonight; and Kati Marton, 38, author of Wallenberg and An American Woman; after eight years of marriage, two children; in New York City...
...answer, as it happens, is none of the above. No one, however, has asked for a refund, for Zeffirelli's vision is as vivid as ever. In addition to Soprano Eva Marton as Princess Turandot, Tenor Placido Domingo as Calaf, her suitor, and the other principals, there are 286 singers and supernumeraries. By comparison, Zeffirelli's Boheme at its most gargantuan fielded a cast of merely 280. Much of the Turandot scenery was shipped from Italy in eleven cargo containers, each 40 ft. long. There are 300 costumes, and the headgear alone uses 44 lbs. of pearls, golf balls, chandelier...
...correct ; answers, her minions unfurl the flags. Too tricky by far, and the opening night audience just laughed. Further, the cast spent much of the performance looking down at its collective feet so as not to stumble across the treacherous obstacle course of risers and steps. As a result, Marton, born for the title role, was oddly tentative, the sturdy Domingo seemed distracted and ill at ease, while Soprano Leona Mitchell's hey-look-me-over Liu was too aggressive. Only Cuenod's crotchety Emperor -- a Swiss singing Italian the way he imagines a Chinese might -- hit the mark. James...
PUCCINI: Turandot. Eva Marton as Turandot, Jose Carreras as Calaf, Katia Ricciarelli as Liu. Lorin Maazel conducting the Vienna State Opera Orchestra. MGM/UA Home Video, $79.95, stereo. Stage Director Harold Prince's stylishly barbaric 1983 production grimly captured the fairy tale's bloodthirsty, amoral ! quality with striking imagery: the gruesome severed head of the luckless Prince of Persia is held high on a stake, impassive masks hide the faces and emotions of Turandot and her retinue, and the ice princess makes her entrance in Act II down what must be the longest staircase in operatic history...
...notice that he will be a Teutonic god of vocal power and majesty for years to come. Proud, haughty and resolutely amoral, Morris dominated the drama as he must to give depth to the tragedy that is, ultimately, Wotan's doing. Equally impressive was the Hungarian-born soprano Eva Marton, a legitimate contender for the mantle of Birgit Nilsson with impassioned performances of Brunnhilde in Siegfried and Gotterdammerung. Awakened by Siegfried on the Valkyrie rock, Marton sang Brunnhilde's Heil dir, Sonne greeting to life in gleaming, radiant tones, and her blazing immolation scene ignited a final musical conflagration that...