Word: marvelling
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Dates: during 1980-1989
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...this year, up from about 190 in 1985. With a combined circulation of roughly 150 million, the comics are more popular than at any other time since the early '50s. That in turn means heftier profits for new publishers and for the comic-book industry's leaders: Marvel (1985 sales: $100 million) and DC Comics (a reported $70 million), both based in New York City, and Archie Comic Publications ($20 million) of Mamaroneck...
...companies like Marvel and DC Comics, the revival represents a sales victory of, well, super proportions. Ever since the late '50s, comics have fought a losing battle with television for the hearts and imaginations of youngsters. Some comic characters, such as Wonder Woman, Batman and Robin, crossed over to the tube, at least for a time, but when the industry hit bottom in the early '70s, it seemed that comic books might become an extinct form...
...rate is from $32 down." Most of his operating costs are covered by $10 and $20 contributions, which he acknowledges individually on the air ("My thanks today to Beverly, to Topsfield, to Rockport . . . And now let's get back to the music"). Fishermen flipping the dial pause to marvel at a plea for contributions by a local voice, so familiar and yet so strange; they often stay on to sample Mozart or Bach. Guy Wonson, a stonemason, started listening in 1968. He got a kick out of the commercials at first, but the music gradually insinuated itself. Now he sometimes...
...that block. In one of his first meetings with the faculty, Bok began to explain his view of the role of the university. From the back row came a whisper: "We are the university." Observers such as John Rosenblum, dean of the University of Virginia's business school, marvel at "how little power Derek Bok has" to deal with these baronial scholars. Bok acknowledges the situation: "Nothing works around here," he says, "without faculty cooperation." Cooperation is no easy thing to win in Balkanized Harvard, where each of the graduate schools controls its own endowment and budget, hires...
...popular, if not honorable, antecedents. The Fly is a free, gory and engaging remake of the 1958 sci-fi horror movie, directed by Kurt Neumann, about a scientist who tampers with nature and switches heads with a housefly. Howard the Duck is a bestial bloviation of Steve Gerber's Marvel comic books of the '70s. The first film expands and enriches its schlock source; the second turns a wiseacre mallard into a $40 million promotion for stuffed Howards...