Word: marvellous
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Dates: during 1950-1959
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Crisis on Safari. And so, each summer, when the cruel sea calms and the weather mellows, the population of Lundy swells from seven to 80 or so. Then the bluebottles flock to the island by the thousands to marvel at the ice-age cabbage that now grows nowhere else, or to catch a glimpse of a puffin, an auk, a rare peregrine falcon, or any other of the 145 kinds of birds found on Lundy. But as much as anything else, the bluebottles seem to come to spend a little time-and a few puffins-in a place with...
Gnostic contempt for creation-the exact opposite of the Christian belief that the Creator-hence creation-is good, though flawed by man's disobedient self-will-is clear in this passage: If the flesh has come into existence because of the spirit, it is a marvel; but if the spirit has come into existence because of the body, it is a marvel of marvels. But I marvel at how this great wealth has made its home in this poverty...
...Marvel of Mobility. Stubborn addicts of the classic whodunit consider the TV Eye a boor. Some paperback browsers, still slavering over Mickey Spillane's sleuthing satyrs, consider him a sissy. But the TV Eye often has more taste than his critics. At his best, he is a healthy step backward toward the hardboiled heroes who swaggered onto the American scene in the novels of Dashiell Hammett and Raymond Chandler...
...neither Poe nor his immediate successors seemed anxious to move it back to America. The first big geographical jump came in 1887, when Sir Arthur Conan Doyle brought him to London in the guise of Sherlock Holmes. Like Dupin, Holmes was an intellectual athlete, and socially he was a marvel of mobility, at home with scholars, society bluebloods, police inspectors. "Holmes," wrote Social Historian David Bazelon, "despite his eccentricities, is essentially an English gentleman acting to preserve a moral way of life." From Dickens' unfinished teaser, The Mystery of Edwin Drood, to the 20th century whimsy of Dorothy...
...that, Romeo and Juliet is at times an exciting dance drama. The mass dueling scene between the Capulets (gorgeously decked out in Renaissance finery) and the peasant-supported Montagues (in modest, everyday clothes) is a marvel of rocketing energy and split-second timing. The carnival scenes give the Bolshoi's male dancers an opportunity to come bounding like handballs off the Met's stage in the high, open leaps that are their special glory...