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Throwing the first punch against husband Mike Tyson last October, Robin Givens hired Marvin Mitchelson, the dean of American divorce gurus, to handle her much publicized breakup with the world heavyweight boxing champion. But Givens soon dropped the Los Angeles attorney and signed with Raoul Felder, 54, a New York City divorce lawyer who has won handsome settlements for the former wives of Mel Brooks, Martin Scorsese and Robin Leach, among others. For Felder to take charge of the season's most ballyhooed split seemed a fitting turnaround. Mitchelson, 60, who has recently been accused of professional misconduct and even...

Author: /time Magazine | Title: Law: A Struggle for Splitsville's Buck:Felder tops Mitchelson | 1/9/1989 | See Source »

...wife Pamela in 1964, Mitchelson has built a multimillion dollar practice helping the likes of Joan Collins, Tony Curtis and Zsa Zsa Gabor get unhitched. Perhaps Mitchelson's chief claim to legal fame was the concept of palimony, which he introduced by arguing in 1970 that Michelle Triola, Lee Marvin's live-in lover, might be entitled to some of the actor's property. The California Supreme Court endorsed the palimony principle...

Author: /time Magazine | Title: Law: A Struggle for Splitsville's Buck:Felder tops Mitchelson | 1/9/1989 | See Source »

...Jameson Marvin emphasizes that math and music share an underlying sense of order. "In music, there's a dimension of time and ordering time," he says. "Like math, music is ultimately a sense of trying to order. Therefore mathemeticians--just the way their minds work--often have an affinity for music...

Author: By Alison D. Morantz, | Title: Music + Math: A Common Equation? | 11/30/1988 | See Source »

...individual, sensitivity to order often is manifested in a methodical orientation and a painstaking attention to detail, Marvin says. As musical director, he says he has known some math students whose meticulous but uninspired approach to music led them to perform "mechanically...

Author: By Alison D. Morantz, | Title: Music + Math: A Common Equation? | 11/30/1988 | See Source »

...there is a danger [for mathemeticians who pursue music], it is that the notes are technically correct but that the sense of musicality--dynamic nuance, rubatto, phrasing, understanding and projection of the musical gesture, connections between notes--is missing," says Marvin...

Author: By Alison D. Morantz, | Title: Music + Math: A Common Equation? | 11/30/1988 | See Source »

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