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Word: marvinism (lookup in dictionary) (lookup stats)
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...they sing, he rises on his toes, bends his knees, and rocks back and forth, his mouth moving in time to the music and his feet quivering across the platform. One might easily think the entire sound of the 65-man Glee Club is emanating from Jameson N. Marvin, the Holden Choirs’ Director of Choral Activities and a Senior Lecturer on Music...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Jameson Marvin | 4/27/2010 | See Source »

...Marvin, affectionately known as “Jim” by his students, is the latest of five conductors for the Holden Choirs—composed of the Glee Club, Collegium Musicum, and the Radcliffe Choral Society—since the Glee Club was founded in 1858. Marvin holds one of the most prominent choral conducting jobs in the country: the Glee Club and the Radcliffe Choral Society are, respectively, the oldest men’s and the oldest women’s collegiate chorus in the country...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Jameson Marvin | 4/27/2010 | See Source »

...wanted them to sound equal to each other so that there was this wonderful community of kindred spirits,” says Marvin, sitting in his Paine Music Hall office crowded with posters from past performances, an upright piano, and a towering bookshelf stuffed with sheet music...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Jameson Marvin | 4/27/2010 | See Source »

...tempo polyphony were as sure, swift, and unimpeded as mere human agency could make them,” wrote correspondent Richard Buell, “additionally enlivened by the performers’ awareness (visible in their faces and demeanor) that they were indeed daring the impossible.” Marvin was praised throughout the piece. “It was the kind of conducting that has a lot of ‘there’ to it but somehow disappears, egolessly, into the music,” Buell added...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Jameson Marvin | 4/27/2010 | See Source »

...Marvin, however, credits most of the success of the choirs to the students’ own talents: “I think it’s that kernel [of musical knowledge] that excites students, because if they know they can really grab it and own it,” he explains. “I’ve taught the students in each of these choirs how to hear and therefore how to take the responsibility...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Jameson Marvin | 4/27/2010 | See Source »

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