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Like many Latin American writers, Paz has political credentials. He served for a time as Mexico's ambassador to India but resigned in 1968 to protest the authorities' killing of students during an antigovernment demonstration. In the 1930s Paz was a Marxist. Today communist holdouts regard him as a conservative largely because he has become a critic of "simplistic and simplifying ideologies of the left." His equally sharp disapproval of the rigid right has put him at the lonely center, where his poetry has taken on its deeply personal and moral tone...

Author: /time Magazine | Title: Octavio Paz, LITERATURE: Wide Horizons | 10/22/1990 | See Source »

Many impoverished, debt-ridden Third World countries are only just beginning to make their way along the only path forward -- the free market, painful and politically explosive though that is. Again, why should the U.S. care? Even though Marxist revolutionaries and guerrillas still carry on their archaic battles in many places, the danger of such countries' "going communist" is sharply diminished. But the developed world needs Third World countries as markets. Also, economic turmoil would put heavy pressures on the U.S. and other Western nations, not least through growing streams of emigrants...

Author: /time Magazine | Title: Essay: The Second American Century | 10/8/1990 | See Source »

...events did not develop in our favor. The powerful economy of the U.S. prevented the devastated economies of the European countries from reaching the flash point of revolutionary explosion. Things did not happen the way we expected in accordance with Marxist-Leninist theory. Unfortunately, all these countries stayed capitalist, and we ended up being disappointed. We concentrated on the consolidation of the gains of socialism in the fraternal countries of Eastern Europe...

Author: /time Magazine | Title: Khrushchev's Secret Tapes | 10/1/1990 | See Source »

...makes its U.S. debut at California's Berkeley Repertory Theater. The language is vernacular, sometimes vulgar, and even titled characters are stripped of grandeur and persiflage. The multiracial casting reflects contemporary America more than feudal Spain. Stylistically, the 20th century influence of Bertolt Brecht is evident throughout in the Marxist class analysis, didactic political sloganeering and use of song and dance to preach...

Author: /time Magazine | Title: Theater: News That Stays the News | 9/24/1990 | See Source »

Metropolitan might seem outdated to some moviegoers, but more will find it winnning. Admittedly, it is not as politically conscious as it could be. But all Marxist criticism aside, Metropolitan is a lovely, indefensibly aesthetic film that makes fair and engrossing statements about a dying American aristocracy, and those who mourn...

Author: By Kelly A.E. Mason, | Title: Exploring the Upper Class: Stillman's Work Promising | 9/21/1990 | See Source »

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