Word: marya
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Dates: during 1950-1959
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...magazine critics had time for second thoughts but most of them joined in with the newspaper hymnsinging. Marya Mannes of the Reporter complained about Hingle's naturalistic acting in the title role--"This is a classic role that demands a classic actor with the kind of diction only the classicists of the theatre possess"--and would have preferred to see "Olivier or Richardson" in "MacLeish's exalted poem"; but she had no reservations about the play itself--"I know of no other American poet who could write this legend in such noble and flexible language or maintain, as he does...
...Marya Mannes, in The Reporter, took a position strongly favorable to the play but just as strongly unfavorable to the production. Kenneth Tynan, the London Observer's notoriously excoriating critic currently on loan to The New Yorker, took the opposite tack: "In every department the presentation is flawless. The same, unfortunately, cannot be said of the thing presented." Whereupon he let fly with a long barrage of his famed artillery at the play's content...
Mute Deputies. The first vote was the crucial one-for the chairmanship of the Assembly. The SRs nominated Chernov; the Bolsheviks, Marya Skpiridonova. Chernov won, 244-151. Apparently, he had the pathetic hope that the Reds might be persuaded to moderation and compromise; his speech was couched in Socialist and international tones, as though attempting to placate the Bolsheviks and appealing for the unity that all Russia desperately wanted. The response was bloodthirsty. "Bullets are the only way!" screamed the Bolsheviks. In answer to Chernov, Bolshevik Nikolai Bukharin strode to the platform to cry, "We demand a dictatorship...