Word: masayuki
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Director Peter Chelsom’s new movie, Shall We Dance?, has a dance card full of big-name actors but leaves its audience with little except bruised toes. A remake of Japanese director Masayuki Suo’s 1996 film of the same title—from which it imports most scenes and some dialogue—the movie ultimately seems as bungling on its feet as many of the characters it portrays. John Clark (Richard Gere) wants to ballroom dance. In Suo’s Japanese film this is understandably mortifying because, as a voiceover tells...
Director Peter Chelsom’s new movie, Shall We Dance?, has a dance card full of big-name actors but leaves its audience with little except bruised toes. A remake of Japanese director Masayuki Suo’s 1996 film of the same title—from which it imports most scenes and some dialogue—the movie ultimately seems as bungling on its feet as many of the characters it portrays. John Clark (Richard Gere) wants to ballroom dance. In Suo’s Japanese film this is understandably mortifying because, as a voiceover tells...
Director Peter Chelsom’s new movie, Shall We Dance?, has a dance card full of big-name actors but leaves its audience with little except bruised toes. A remake of Japanese director Masayuki Suo’s 1996 film of the same title—from which it imports most scenes and some dialogue—the movie ultimately seems as bungling on its feet as many of the characters it portrays. John Clark (Richard Gere) wants to ballroom dance. In Suo’s Japanese film this is understandably mortifying because, as a voiceover tells...
Director Peter Chelsom’s new movie, Shall We Dance?, has a dance card full of big-name actors but leaves its audience with little except bruised toes. A remake of Japanese director Masayuki Suo’s 1996 film of the same title—from which it imports most scenes and some dialogue—the movie ultimately seems as bungling on its feet as many of the characters it portrays. John Clark (Richard Gere) wants to ballroom dance. In Suo’s Japanese film this is understandably mortifying because, as a voiceover tells...
Director Peter Chelsom’s new movie, Shall We Dance?, has a dance card full of big-name actors but leaves its audience with little except bruised toes. A remake of Japanese director Masayuki Suo’s 1996 film of the same title—from which it imports most scenes and some dialogue—the movie ultimately seems as bungling on its feet as many of the characters it portrays...