Word: maschera
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...voices differ, and there are lots of beautiful voices, but hers has a unique personality and a unique timbre." Others echo Levine's praise. Kurt Herbert Adler, former general director of the San Francisco Opera, cast Battle as Oscar the page in Verdi's Un Ballo in Maschera in 1977. Remembers Adler: "After we auditioned her, I wrote in my notes: 'bombshell...
...Verdi's first masterpiece was the talk of London at its premiere in 1982, but it aroused the ire of some Italian Americans after the tour was announced; they objected to the implied Mafia motif. Yet this Rigoletto no more defames Italians than, say, Un Ballo in Maschera does Bostonians. Rather, it recasts the familiar work in a light that forces audiences to rethink it and savor it anew. Renaissance vendettas can seem remote, "operatic," unreal, but transplanted to Mulberry Street in the 1950s, they take on a grimy, visceral immediacy. In the major roles, John Rawnsley as Rigoletto...
...recent years has been moving into the heavier spin to repertory, forsaking the Lord Arthur Talbots and Tonios of Bellini and Donizetti for roles that call for weightier, more declamatory singing-Enzo in Ponchielli's La Gioconda, for example, and Riccardo in Verdi's Un Ballo in Maschera. In doing so, however, Pavarotti has sacrificed much of his freshness and lyric bloom...
...reaction to the appointment from almost everybody, except Swedes, on the tight little island of international opera. As opera directors go, he is a virtual unknown whose work has been seen outside Europe only once. At Montreal's Expo 67, his company staged productions of Tristan, Ballo in Maschera and an Ingmar Bergman-directed Rake's Progress to excellent critical acclaim. In the guessing game that followed Bing's decision to retire, Gentele's name did not figure among the popular favorites: Conductors Leonard Bernstein and Erich Leinsdorf, Impresarios Julius Rudel of the New York City...
Manhattan's Lincoln Center. On Tuesday at the Metropolitan Opera, Domingo portrayed King Gustav III of Sweden who tries to woo Montserrat Caballe away from her husband in Verdi's Un Ballo in Maschera. On Thursday, across the plaza at the New York City Opera, where Domingo broke into the big time four years ago, he played the Earl of Essex to Beverly Sills' Queen Elizabeth in a splendid new production of Donizetti's Roberto Devereux. Like any operatic tenor, Domingo does a lot of theatrical dying. "When you are dying," he says with a wink...