Word: masetto
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Dates: during 1980-1989
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That scene illustrates a more fundamental problem. Don Giovanni is at least partly a drama of class distinctions. That is why, for example, the cavalier can simply walk in on the wedding of the peasant Masetto and walk off with his bride Zerlina. When Don Giovanni is converted into an East Harlem hoodlum, the character no longer fits the plot, so Sellars blithely begins changing various details of the story...
Sophomore Jeffrey Korn is lively and hysterically funny as Zerlina's rather slow-witted betrothed, Masetto Along with junior Dominic A. A. Randolph, who plays Giovanni's faithful yet knowing servant Leporella. Korn provides the comic relief for the melodramatic intricacy of the opera. Randolph's Leporella never fails to entertain the audience, whether he is describing his master's terrible ways or whether he is cavorting about the stage, helping his master escape from the other characters. Randolph's stage presence is superb and he becomes the show's most endearing character, as he provides most of the opera...