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Miss Blanchard, as the sister Masha who carries on an adulterous and eventually doomed love affair, turns in a mature and persuasive performance. Not only does she know how to use her voice, but what is more important she catches the rhythm of Masha's speeches and shows how the woman suffers. As Baron Tusenbach, Thomas Teal shows himself as accomplished a technician as Miss Blanchard, and projects a wholly appropriate mixture of agony and nobility...

Author: By Thomas K. Schwabacher, | Title: The Three Sisters | 10/30/1958 | See Source »

...Phoenix production was weakest toward the end, where the play itself is; and in the most crucial scenes, it pulled Chekhov down rather than kept him afloat. This was sometimes a matter of interpretation, but oftener one of acting. Maureen Stapleton's Masha came closest to an entirely right performance, while Montgomery Cliffs Kostya at the outset, and Judith Evelyn's Madame Arkadina pretty much throughout, also scored...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, may 24, 1954 | 5/24/1954 | See Source »

...much clothing (including underwear "trimmed with lace and embroidery"). three times as many shiny new pots and pans to cook twice as much meat and fish, twice as much candy and ice cream. In 1956, clothes will fit, machines will work; there will be lipstick and perfume for Masha, cigars for Ivan...

Author: /time Magazine | Title: RUSSIA: The Muzhik & the Commissar | 11/30/1953 | See Source »

...along cucumbers and milk, hollowing out the cucumbers, cup-fashion, to drink the milk. In haying season, the whole family would pitch in, mowing and stacking with the peasant boys. It led to temptations. "Last night I could not sleep for a long time. Before I went to bed Masha had told me a number of incidents of her affair with young Paul, the gardener's boy. How frightful... Of all the lofty, fine things Papa tells us she has taken just what suits her-namely, that all men are equal...

Author: /time Magazine | Title: Books: Family of a Genius | 4/9/1951 | See Source »

Most of the credit is due to Eva LeGaillienne, who played the lead role of Masha and directed the play. Her acting was first class, and it is to her credit as a director that the suffering did not get out of control, as it might so easily have done. Behind her as the other two sisters are Margaret Webster and Sylvia Farnham, both of whom despair well. At a more or less uniform level of excellence are Paul Ballantyne, George Hill, David Lewis, Peter Temple, Eugene Stuckmann, and Darthy Hinkley, most of whose Russian names would be enough...

Author: By John R. W. smail, | Title: THE PLAYGOER | 11/25/1950 | See Source »

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