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...Juliet of the film's title is Fellini's wife, Giulietta Masina, exercising all of her rueful, clownish charm as a bourgeoise matron with marriage problems. Neither beautiful nor clever, and inhibited by an unshakable Catholic conscience, Giulietta is wounded by the discovery that her husband (Mario Pisu) has a mistress. She consults a seer, seeks refuge in spiritualism, tries to distract herself by befriending an elegant trollop (Sandra Milo) next door. Meanwhile, she begins to live more and more in fantasy - images of abstract evil, dreams of sexual abandon, phantoms of childhood fears. Not until...

Author: /time Magazine | Title: Cinema: A Wife Betrayed | 11/12/1965 | See Source »

Except for the lead, the Poets' actors did well by Houghton. Lucy Stone is a magnificent comedienne. While she's no Giulietta Masina, she was the only member of the cast (this may reflect on director Maurice Breslow) who fully appreciated the slapstick possibilities of the play. Jerry Vermilye's competence as Peter was unfailing, and Raye Bush as Mrs. Mallow, the old lady who repays Peter's charity, handled a fairly banal character interestingly. But William Hillier's portrayal of Bill detracted greatly from the whole production. It would be impossible to say he didn't develop his part...

Author: By Frederick H. Gardner, | Title: Poets' Theatre Workshops | 11/13/1961 | See Source »

...sort of realist who would take the average of all the girls in all the second-rate circuses in Italy, and cast the leading role as close as possible to this ideal. In fact, it is safe to say that no woman in the world is remotely like Giulietta Masina; that may be one reason her performance carries such conviction. Masina's face, though never down-rightly funny, is always comic--and usually pathetic into the bargain. Even when not made up in clown-white, it is a clown-face. It seems to be changing, frowning, smiling, always with...

Author: By Julius Novick, | Title: La Strada | 10/14/1958 | See Source »

Cabiria (Lopert) is the best of the Italian contributions, remarkable chiefly in the story it tells. "Vieni qua," says the famed Italian actor (Amedeo Nazzari). The shabby little streetwalker (Giulietta Masina) can hardly believe her ears, but she jumps into his flashy American car, and they drive to his villa, a California! creation on the Appian Way. "Where do you live?" he asks her idly, as she nibbles at caviar and lobster in his overpoweringly seductive apartment. "Oh," she answers him, dazed with all the magnificence and trying desperately to live up to it, "I'm not like...

Author: /time Magazine | Title: Cinema: In the Meantime | 11/18/1957 | See Source »

...pathos; but as the picture tells it, the tale is all too often merely pathetic. The fault lies chiefly with Director Federico Fellini. the brilliant creator of I Vitelloni, who has revived the bathetic excesses of La Strada without its noble brutalities. As for Fellini's wife, Actress Masina, she gives, almost gesture for Chaplinish gesture, the performance that made her famous as the idiot girl in La Strada. It's a case of the right part in the wrong picture...

Author: /time Magazine | Title: Cinema: In the Meantime | 11/18/1957 | See Source »

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