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...much domestic bliss would be hard on any man. For Sergio Masini, first violinist in a Roman symphony orchestra, it is literally a labor of love: he adores all three of his families and is scrupulously fair to each. Giulia (Renee Longarini) is his legal wife; Adela (Maria Grazia Carmassi), a onetime opera singer, became his mistress when he began to console her for her cracking voice; and Marisa (Stefania Sandrelli) is a young country girl who fell in love with him at a concert and followed him to Rome. Each of them gets nine phone calls a day from...

Author: /time Magazine | Title: Cinema: One Man's Families | 9/22/1967 | See Source »

Until recently the only adequate recording of Turandot was the Cetra set which featured the electrifying singing of Gina Cigna as Turandot and the haunting Calaf of Giulio Masini. Now London has issued a beautifully recorded version that is one of their most satisfactory operatic sets. The taxing role of Turandot finds Inge Borkh lacking in the most dramatic moments, but her voice in the lyrical passages is ravishing. Renata Tebaldi has too heavy a soprano for the role of Liu, but she gives a more sustained performance than has been her wont of late. As the Calaf, Mario...

Author: By Stephen Addiss, | Title: Two Operas | 3/16/1956 | See Source »

Verdi: La Forza del Destine (Maria Caniglia, soprano; Ebe Stignani, mezzo-soprano; Galliano Masini, tenor; Tancredi Pasero, bass; Carlo Tagliabue, baritone, and others with the EIAR Symphony Orchestra and chorus, Gino Marinuzzi conducting; Cetra-Soria, 36 sides). Some of the singers made Verdi's less worthy opera sound far better than the Aïda. Recording: good...

Author: /time Magazine | Title: Music: New Records, Mar. 28, 1949 | 3/28/1949 | See Source »

...well-to-do members of the local Italian colony took the singers into their home, fed them spaghetti, baked veal and red wine. Tenor Galliano Masini, onetime member of New York's Metropolitan Opera Company, ran around the table, punctuating his protests with bars from Tosca and Carmen. Said he: "After Caruso's death they said I was the one. Tagliavini (see below') is a good tenor but light. I am disgusted. I want to sing." The Chicago Tribune's captious Critic Claudia Cassidy interviewed Basso Nicola Rossi Lemeni by telephone, had him sing...

Author: /time Magazine | Title: Music: Without a Song | 2/10/1947 | See Source »

...Most sensational debut of the Metropolitan's third week was not Masini's, but that of a young (25), good-looking New York contralto, Rise (rhymes with Pisa) Stevens. Contralto Stevens, who studied at Manhattan's Juilliard Graduate School, had spent three years singing at Prague's New German Theatre and at the Vienna Staatsoper...

Author: /time Magazine | Title: Music: Debs | 12/26/1938 | See Source »

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