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...Thumper, which is basically a small (1½ in. by 3 in.) pneumatic plunger strapped to the chest (see cut). Powered entirely by compressed oxygen (small tanks in portable units, bigger ones in hospitals), the HLR supplies a puff of oxygen twelve times a minute through a face mask, while the plunger, which replaces the rescuer's hands, bounces up and down on the victim's breastbone 60 times a minute. On the downstroke it compresses the chest and squeezes the heart against the spine, forcing blood out. The heart relaxes and refills on the upstroke...

Author: /time Magazine | Title: Cardiology: The Thump of Life | 1/8/1965 | See Source »

COMEDY IN MUSIC. That matchless mirthmaster of the keyboard, Victor Borge, riffles through gags and slides off the piano bench without altering his usual mask of disdainful dismay. Added notes, comic and musical, are provided by a straight man, noted Pianist Leonid Hambro...

Author: /time Magazine | Title: Television: Dec. 4, 1964 | 12/4/1964 | See Source »

Fadden also proposed a rule change: outlaw the high-arm block. A blocker can ram his forearm or elbow into an opponent's face despite the protection of the mask. Cage masks which leave no opening wide enough for an elbow are fine for linemen, but backs, who need more visibility, are forced to use the conventional double or single bar variety. If high-arm blocking were illegal, Fadden believes that there would be no need for the face mask...

Author: NO WRITER ATTRIBUTED | Title: Football's Occupational Hazard | 12/4/1964 | See Source »

COMEDY IN MUSIC. That matchless mirthmaster of the keyboard, Victor Borge, riffles through gags and slides off the piano bench without altering his usual mask of dismay and disdain. Added notes, comic and musical, are provided by Straight Man Leonid Hambro...

Author: /time Magazine | Title: Television: Nov. 27, 1964 | 11/27/1964 | See Source »

...again holds a cigarette, his hand set in a masculine gesture powerfully contrasted with that of the young aesthete. The viewer's attention oscillates between the hand and face, but here the face is full and sculptured. The head is patterned with darkness--the strange lighting gives it a mask-like quality--but light is shining on him obliquely, illuminating his side, giving a hnt of underlying self-awareness. This portrait haunts the entire show like a spectre, standing over the work of a life-time as the finest embodiment of Beckmann's genius...

Author: By Rick Chapman and Paul A. Lee, S | Title: BECKMANN | 11/20/1964 | See Source »

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