Word: masquers
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Dates: during 1980-1989
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...popular conception of Bowie's parabolic musical career, even on the part of sympathetic critics, has been tinged with some of this Victorian opprobrium: Bowie the musical chameleon, the masquer, just doesn't seem to have the stamina to stick to one style and wring out its musical worth, but must nomadically migrate to a new brand of music and a new "persona" on each album to amuse his audience. This kind of analysis, aside from its off-hand assumption that a popular musician always changes for commercial and not for evolutionary reasons, also treats with bland ignorance the musical...
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