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Word: master (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Back at Hancock J.C., before he could be appointed football coach, he had to be hired as a phys-ed teacher. And he sees himself as a teacher again. One with a master's in education, earned at Cal Poly...

Author: /time Magazine | Title: John Madden: I'M Just a Guy | 1/11/1988 | See Source »

...drove from his family's mobile home in Dover, Ark., to nearby Russellville. Packing two .22-cal. pistols, he entered a law office and fatally shot a young receptionist who had rejected his amorous advances. Then, in a 30-minute shooting spree across town, the retired Air Force master sergeant murdered a 33-year-old fireman and wounded four others. "Don't worry," he told a hostage minutes before surrendering to police. "I've gotten everybody who hurt...

Author: /time Magazine | Title: Crime: A Holiday Killing Spree | 1/11/1988 | See Source »

Bertolucci and cinematographer Vittorio Storaro do well with the movie's scenes of debauchery and debasement. A master of capturing erotica, Bertolucci takes advantage of Pu Yi's early imperial splendor and later playboy lifestyle in Tienstin to give cinema some of the most sensual images since Bertolucci's own Tango. Bertolucci and Storaro follow the emperor and empress (Chen) as rich and powerful friends seduce them. While the emperor continues to foster megalomanic visions of regaining the throne, his wife takes to opium...

Author: By Esther H. Won, | Title: Man of La Manchu | 1/8/1988 | See Source »

When the celebration of Epiphany gives way to the Joycean epiphany of Gabriel's concluding thoughts, Huston yields the screen to his beloved master in a wonderfully self-effacing way. The powerful words are voiced over the simplest imaginable montage of Irish snowscapes. Huston's great contribution is only this: he gently imparted to his film an old man's tolerance for human frailty, thereby tempering a young man's impatience with...

Author: /time Magazine | Title: Cinema: Huston's Serene Farewell THE DEAD | 1/4/1988 | See Source »

Robin Williams is a movie misfit. As the decade's reigning comic soloist, master of the improvised trip through his own weird inner space, he generally arrives onscreen bearing the burden of our heightened hopes for a divine madness. Up to now, his genius has not fit any known film format. Narrative obligations and the implicit demand that leading characters be sane, likable and consistent have always constrained...

Author: /time Magazine | Title: Cinema: Motormouth In Saigon GOOD MORNING, VIETNAM | 12/28/1987 | See Source »

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