Word: master
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Dates: during 2000-2009
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...associated more with indie fare than with blockbusters. All Emmerich had to work with was a vaguely ominous future date - think 1984, 2001 - and his confidence that he could get people into theaters by telling them they're all gonna die. He's done it before. A past master of disaster, the German director devastated the planet in Independence Day and The Day After Tomorrow; he wasted New York City in Godzilla and showed us the distant past was no safer in 10,000 B.C. This time Emmerich left billions of humans crushed in the convulsions of the earth...
...work composed exclusively for orchestra. It celebrates the blues through moments in American history and, in Marsalis' words, "incorporates the call-and-responses, train whistles, stomp-down grooves, big-city complexities and down-home idiosyncrasies of Afro-American and American music." Ahead of the symphony's premiere, the jazz master spoke with TIME about working with an orchestra, the significance of the blues and why he finds rap music repellent...
...Chinese government responds to that pressure in some intriguing ways. It insists that primary-school teachers in math and science have degrees in those subjects. (Less than half of eighth-grade math teachers in the U.S. majored in math.) There is a "master teacher" program nationwide that provides mentoring for younger teachers. Zhang Dianzhou, a professor emeritus of mathematics at East China Normal University in Shanghai who co-chaired a committee charged with redesigning high school mathematics programs across the country, says recent changes have begun to reflect more of a "real-world emphasis." Computer-science courses, for example, have...
...through his 20s and 30s, Gorky devoted himself to a complete, nearly self-annihilating immersion in the work of one master after another. Cézanne, Picasso, Miró, Léger - he sometimes channeled their voices like a ventriloquist's dummy, but he learned their language. His breakthrough came in the 1940s, partly by way of his contact with the Surrealists in wartime exile in New York City, especially André Breton and Roberto Matta. Gorky had been borrowing Surrealist imagery for years, and he flourished in their company. It was through Matta that he renewed his interest in the Surrealist notion...
...Emma R. Crossen, a third-year in the Master of Divinity program at the HDS, this speech was particularly relevant. Crossen, who had breakfast with McFague earlier that day, is the coordinator of an Eco-Div group...