Word: master
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Dates: during 2000-2009
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Ishiguro’s short stories are well-executed, witty, and will not fail to disappoint his past readers. However, the stories still feel more like the technical toying of a master musician than a lyrical melodic narrative. Unlike Debussy’s carefully nuanced grey that covers the whole of the emotional spectrum, Ishiguro’s “Nocturnes” are filled with the grey of blanketed emotion. Shimmering scenes occasionally rise up out of the narrative, only to be dragged back into the monotony of ordinary life...
Nonetheless, Ishiguro remains a master at sketching out environments and characters through minimal, precise language. The struggling songwriter manages to conjure a grimy, lethargic music scene with characteristically British wit: “But the majority of auditions happened at a much more shambolic level. In fact, when you saw the way most bands went about things, it was no mystery why the whole scene in London was dying on its feet.” In the same way, the American jazz musician who befriends Gardner, has a completely different syntax that instantly identifies him as a member...
...Kramer [an executive?], whose predictable philosophy of appreciation of life receives almost all of the screen time not devoted to torture. Conveniently, his character provides an excuse for the flatness of those of his proteges, whose actions are motivated only by the fascism of Kramer’s master plan...
...make anything into gelato," says Maestro Gianpaolo Valli, of Bologna's Gelato University, the six-year-old educational offshoot of the Carpigiani company, which produces a majority of the world's gelato machines. In Valli's more than 20 years as a gelato master, he has acquiesced to some rather strange requests, including creating a tasty salmon gelato, a pesto gelato for an Indian chef and three different kinds of beer gelato for a German gelateria. An aspiring Dutch gelato maker in a recent class at Gelato U. suggested that she might like to learn how to make hash-flavored...
...turned off by harsh contrast in black-and-white pictures, he disliked strident color. What he was after were tones, colors you can't put a name to, indeterminate registers that shift in the retina and brain. Even his sunsets were powder-puff pink. (Read "The Old Master of Majesty Ansel Adams...