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...seasons in Sydney, London and New York-and planted the seed for Armfield's next artistic challenge: adapting Candy, novelist Luke Davies' 1997 elegy to young love lost to heroin. Not only was the story risky, but it was to be told in a medium he had yet to master: celluloid. While the director, 51, had toyed with filmed plays and TV dramas, "Candy was like starting again in a new form," Armfield says. Roping in some theatrical mates, including Cloudstreet production designer Robert Cousins, he set about opening up the story of doomed junkie love and offering audiences...

Author: /time Magazine | Title: Filming It Sweet | 5/22/2006 | See Source »

...competition at the Berlin Film Festival. "It's been a mad and thrilling journey," Armfield says. And it continues. Come September, the director's beloved Belvoir Street Theatre will unveil an $A11.6 million makeover, including a new rehearsal space for his actors. In this dream factory, Armfield is master...

Author: /time Magazine | Title: Filming It Sweet | 5/22/2006 | See Source »

...Master Cracks the Whip How John Negroponte won control of the CIA, and what he plans next to consolidate rival agencies and his power

Author: /time Magazine | Title: Jerry Brown Still Wants Your Vote | 5/21/2006 | See Source »

...pleasure - mine, anyway - to come to Cannes knowing that, every two years, Pedro can be counted on to bring another splendid film. Is Volver a masterpiece? Probably not. But it is the work of a master still at the peak, the high plateau, of his form...

Author: /time Magazine | Title: Pedro's Ghost Story | 5/20/2006 | See Source »

...14th arrondisement. In the Payne sketch, Margo Martindale is a Denver mail carrier on a Paris holiday. Wandering alone through parks in the city whose language she has tried to master (the narration is in hilarious fractured French - the kind we speak in restaurants and shops here), she comes to understand the fragile gift of solitude in a big, beautiful city...

Author: /time Magazine | Title: Cannes's First Really Good Movie | 5/18/2006 | See Source »

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