Word: masterful
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Dates: during 1970-1979
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...could be objected that this failure to come up with a realistic denouement is a fault, but it is one that the film shares with works like L'Avventura and Blow-Up, whose director, Michelangelo Antonioni, has obviously had an influence on Peter Weir. As in the master's work, the criminal, if there is one, is society. It does not matter to Weir whether there was a sexual criminal lurking up there among the rocks, awaiting these young women who are easy prey, or if their own erotic repression led to some self-destructive hysterical...
...master images of 20th century art and literature was the City: the ville tentaculaire, condenser of populations and their unease, republic of anxiety, seedbed of desire. From Edvard Munch's top-hatted masks parading the streets of Oslo to Francis Bacon's pinstriped executives howling like caged baboons, the City secreted images of alienation. To the eye of modernist poetry it got more spectral as one came closer to it, as the capitals of Christendom did for T.S. Eliot in The Waste Land, almost 60 years...
...print. Murphy, a Princeton law professor, is a compulsive storyteller, and in The Vicar of Christ he tells three tales that could have made books in themselves. Part 1, reliving Declan Walsh's military adventures in Korea through the ripely phrased recollections of a Marine master gunnery sergeant, is a crisp, realistic novella. Part 2, narrated in the fastidious accents of an Associate Justice of the Supreme Court, makes the arcane milieu of the Nine Old Men for once intelligible. Part 3 is the center of the novel. Its narrator, Ugo Cardinal Galeotti, is an urbane Vatican veteran...
Acosta, a scraggly-bearded senior from the Dominican Republic via the Bronx, lived up to his billing as a master of control in the opener, walking none and nicking corners here and there with his unimpressive-looking fastball-slider repertoire...
...less adventurous, and less willing to do something that could put them out on a limb." Between 1971 and 1974 the percentage of graduating seniors who were undecided about their career goals plummeted from 26 to 4. You paid your money, picked your track, and locked in. Zeph Stewart, master of Lowell House from 1963 to 1975, remembers 1975 as a high point of good feeling between students and faculty...