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Word: masterful (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...March Air Force Base in California, I met his son Vernon Jr., who was characteristically like his father. The death of his father the following January made quite a stir. In 1966, you see, Riverside County, Calif., had much in common with Forest County, Miss. ADO L. GINN Master Sergeant, U.S.A.F. (ret.) Sacramento, Calif...

Author: /time Magazine | Title: Letters: Jun. 8, 1998 | 6/8/1998 | See Source »

DUKE ELLINGTON (1899-1974) From the 1930s to the '50s, the master composer's Big Band was jazz's gold standard, creating such classics as Black, Brown and Beige. Duke's compositions--timelessly elegant and invested with rich textures and emotional fullness--helped push jazz to unparalleled heights. Just as his popularity seemed to be fading, he reignited his legend with the fiery 1956 recording Ellington at Newport...

Author: /time Magazine | Title: Cool Cats, Hot Music And All That's Jazz | 6/8/1998 | See Source »

WYNTON MARSALIS (1961- ) A master soloist and bandleader and a Pulitzer prizewinning composer, Marsalis has championed Neo-Traditionalism. Committed to the belief that the style created in the years between Armstrong and Davis is America's true classical music, he cofounded Jazz at Lincoln Center. His seminal album, Standard Time, Vol. 1 (1987), treats works by Ellington and Parker with passionate devotion...

Author: /time Magazine | Title: Cool Cats, Hot Music And All That's Jazz | 6/8/1998 | See Source »

GIORGIO ARMANI Deconstructed but never lax looking, suits from the Italian master came to signify spare elegance in the '80s and '90s, not to mention a quiet, confident sense of power...

Author: /time Magazine | Title: 100 Years of Fashion: The Century's Style File | 6/8/1998 | See Source »

Directors talk about their master images, the images that occur in more than one film because they express something fundamental about the way the filmmakers see things. Spielberg once told me that his master image was the light flooding in through the doorway in Close Encounters, suggesting, simultaneously, a brightness and mystery outside. This strong backlighting turns up in many of his other films: the aliens walk out of light in Close Encounters, E.T.'s spaceship door is filled with light, and Indy Jones often uses strong beams from powerful flashlights...

Author: /time Magazine | Title: The Moviemaker STEVEN SPIELBERG | 6/8/1998 | See Source »

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