Word: masterful
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Dates: during 2000-2009
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...asked him to please sit in the back of the class so it wouldn't disrupt the rest of us when he left, he just looked at him with scorn." Hasan disdained gathering with his fellow students outside class, and they believe he failed to attend their master's graduation ceremony...
...Several classmates suggested that Hasan seemed ill-suited for the Master's in Public Health Program at the Pentagon's medical school, where he was enrolled from 2007 to 2008. Unlike most of the 50 people enrolled, Hasan went straight into the program from his residency at Walter Reed, the Army's flagship hospital. That meant he had spent nearly a decade - medical school, residency and the fellowship - largely as a student before heading to the Texas Army post in July. "The American taxpayer gave this guy advanced degrees, and the bastard murdered 13 people," says the first classmate...
...time of his last play, Sheppey, in 1933, he had come full circle; he was done with the world of the theater, which he found almost hateful, and only wanted to concentrate on his fiction, considering that, at last, to be his real writing. He was an acknowledged master of the short story and a great deal of his fiction was based on material provided by his extensive travels. His first trip to Samoa and the South Seas was in 1916 and he kept exploring - visiting French Polynesia, Japan, Hong Kong, Shanghai, Peking, Singapore and what was then Malaya - with...
Mostly I work in accents--American or northern English or French--and they're all something I have to master. Usually I have a dialect coach, and I didn't on this film. With a dialect coach, you know that one person is in charge of your accent. Without one, it means the director's giving you dialect notes and the grip gives you dialect notes and the other actors are going, "Well, that sounded a bit ..." You feel terribly...
...second movement, a humorous scherzando with embellishments crisp enough to make Mendelssohn—the master of this so-called fairy music—proud, benefited from a feathery orchestral texture and methodically precise fingerwork on de la Salle’s part. A syncopated waltz transitioned into a breakneck Presto in the third movement. Soloist and ensemble approached the closing tarantella with a startling recklessness that Luisi impressively translated into exhilaration...