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Barrett first read psychologist Kendall's work while researching her Master's thesis on childhood fears in 1992. She was fascinated, and later wrote to him seeking permission to develop it. Kendall had challenged the prevailing notion that children weren't capable of thinking about how they think, and that it was therefore pointless to try to treat their anxiety with cognitive behavioral therapy; the only solution, it was believed, was to help the parents manage the child's behavior. Barrett agreed CBT directed at the child could work, and thought Kendall's "Coping Cat" program could be built...

Author: /time Magazine | Title: With Help From Friends | 2/23/2004 | See Source »

...conductor at the podium, Gelmetti, 58, is a master at eliciting strong emotions - from his musicians, who he'll admonish to play al dente when he wants short, crisp notes. And from his fans, who adore this mini-Pavarotti with an almost pantomime performance style. "Some people think that he milks it a bit, but he's got this great warmth as soon as he steps on stage," says former SSO artistic administrator Tim Calnin, who helped bring Gelmetti to Australia for the first time in 1993. "He waves and smiles at the audience like he's greeting friends...

Author: /time Magazine | Title: Sound And Emotion | 2/23/2004 | See Source »

...Hannigan spends much of the evening trying to master basic technique, while Perry lacks the neurotic edge that Harry needs

Author: /time Magazine | Title: Faking It Onstage | 2/22/2004 | See Source »

...actresses - onscreen she has a delicious, quirky sense of humor and a rare ability to show depth in even the most shallow characters - but her inexperience on stage is palpable. She looks lovely, lashes fluttering appealingly over her big Disney eyes, but spends much of the evening trying to master basic technique, such as voice projection. You care about Hannigan the actress trying to win through, but Sally gets lost. Perry's Harry is far more comfortable, his comic timing easy and confident. He lacks the neurotic edge that Harry needs, the reason he resists getting too close to anyone...

Author: /time Magazine | Title: Faking It Onstage | 2/22/2004 | See Source »

...Tarnower, who was killed by a jilted lover in 1980. Attention-grabbing roles are now his routine, but Kingsley hasn't forgotten how it feels to be a novice. Unsurprisingly for a man who answers questions with earnest soliloquies befitting a drama professor, he enjoys teaching. He gives several master classes a year and says that, even in interviews, "young actors are the ones I'm talking to." His 2001 knighthood only intensified his desire to help the next generation: "If my country is going to honor me with the title 'Sir,' I'm going to have to give back...

Author: /time Magazine | Title: The King Of Tragedy | 2/22/2004 | See Source »

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