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Word: masterfully (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...most famous alums in attendance was Master of the Arts at Harvard John A. Lithgow '67. In 1993, Lithgow--then a member of the Board...

Author: By Victoria C. Hallett, CRIMSON STAFF WRITER | Title: Harvard Turns Out for Arts First | 5/10/1999 | See Source »

...things is that it shouldcontinue to evolve," she said. "It should have aheart, be thriving thins, not just a formulathat's imposed or should grow out of a reality."CrimsonMelissa K. CrockerTOOT YOUR OWN HORN:DOROTHY AUSTIN,Lowell House Co-Master accompanies students inLowell House on the kazoo. The informal group ofhouse residents performed the 1812 Overtureyesterday afternoon...

Author: By Victoria C. Hallett, CRIMSON STAFF WRITER | Title: Harvard Turns Out for Arts First | 5/10/1999 | See Source »

...Kiely '60, master of Adams House and Loker professor of English...

Author: By Joyce K. Mcintyre, CRIMSON STAFF WRITER | Title: Waiting in the Wings | 5/10/1999 | See Source »

Which brings us to the second wrinkle. Richard was played by three actors: Paul Monteleoni '01, Marisa Echeverria '00 and Henry Clarke. The first is supposed to represent the Master of Ceremonies, the second the actor and seducer and the third the ultimate evil. While a clever idea, interesting because it gives the audience the opportunity to see three different actors' interpretations of the same character, this device is, in the end, mostly disjointed. Clarke best unifies the play with his presence, while the first two Richards were somewhat more detached from the action...

Author: By Erik Beach, CRIMSON STAFF WRITER | Title: Richard III: Two Views | 5/7/1999 | See Source »

...Schumann sonata in which all of the details were in place. The F-sharp Minor sonata Op. 11 is a sprawling piece of juvenilia that requires a tight vision of elements that don't necessarily relate organically to each other, as is the case with the greater master-piece, the Fantasy Op. 17. Although Zimerman seemed marginally less comfortable here than in the Chopin idiom and sometimes shortchanged Schumann's dotted rhythms, the middle movements especially were full of fresh phrasings and well-judged rubato. The finale is fun music, and Zimerman seemed to be having fun with...

Author: By Matt A. Carter, CRIMSON STAFF WRITER | Title: Sub-standard Scherzo at the BSO | 5/7/1999 | See Source »

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