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...time of his last play, Sheppey, in 1933, he had come full circle; he was done with the world of the theater, which he found almost hateful, and only wanted to concentrate on his fiction, considering that, at last, to be his real writing. He was an acknowledged master of the short story and a great deal of his fiction was based on material provided by his extensive travels. His first trip to Samoa and the South Seas was in 1916 and he kept exploring - visiting French Polynesia, Japan, Hong Kong, Shanghai, Peking, Singapore and what was then Malaya - with...

Author: /time Magazine | Title: The Drama Queen: William Somerset Maugham | 11/16/2009 | See Source »

Mostly I work in accents--American or northern English or French--and they're all something I have to master. Usually I have a dialect coach, and I didn't on this film. With a dialect coach, you know that one person is in charge of your accent. Without one, it means the director's giving you dialect notes and the grip gives you dialect notes and the other actors are going, "Well, that sounded a bit ..." You feel terribly...

Author: /time Magazine | Title: 10 Questions for Ewan McGregor | 11/16/2009 | See Source »

...associated more with indie fare than with blockbusters. All Emmerich had to work with was a vaguely ominous future date - think 1984, 2001 - and his confidence that he could get people into theaters by telling them they're all gonna die. He's done it before. A past master of disaster, the German director devastated the planet in Independence Day and The Day After Tomorrow; he wasted New York City in Godzilla and showed us the distant past was no safer in 10,000 B.C. This time Emmerich left billions of humans crushed in the convulsions of the earth...

Author: /time Magazine | Title: Box-Office Weekend: 2012 Masters Disaster | 11/15/2009 | See Source »

...work composed exclusively for orchestra. It celebrates the blues through moments in American history and, in Marsalis' words, "incorporates the call-and-responses, train whistles, stomp-down grooves, big-city complexities and down-home idiosyncrasies of Afro-American and American music." Ahead of the symphony's premiere, the jazz master spoke with TIME about working with an orchestra, the significance of the blues and why he finds rap music repellent...

Author: /time Magazine | Title: Jazz Musician Wynton Marsalis | 11/13/2009 | See Source »

...Chinese government responds to that pressure in some intriguing ways. It insists that primary-school teachers in math and science have degrees in those subjects. (Less than half of eighth-grade math teachers in the U.S. majored in math.) There is a "master teacher" program nationwide that provides mentoring for younger teachers. Zhang Dianzhou, a professor emeritus of mathematics at East China Normal University in Shanghai who co-chaired a committee charged with redesigning high school mathematics programs across the country, says recent changes have begun to reflect more of a "real-world emphasis." Computer-science courses, for example, have...

Author: /time Magazine | Title: Five Things the U.S. Can Learn from China | 11/12/2009 | See Source »

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