Word: masters
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Dates: during 1960-1969
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...cannot tell you how happy your story on the New York Mets has made me [Sept. 5]. It was a beautiful story, written lovingly, with wonderful art. When I got to thinking of what the Old Master might be thinking about all that has happened this season, there was your man with the gospel according to Casey to wrap the story...
...sesquipedalian vocabulary, diapasonal sounds like a Hammond organ in dense fog. His performances had a consciously archaic quality about them. He satirized fustian while indulging in it. His senatorial solemnity was a species of burlesque. He belonged in a Chautauqua rather than a McLuhan age, although he became a master of television performing. His manner, leavened by an exquisite sense of self-parody, conjured up Americana, suggestions of snake-oil peddlers, backwoods Shakespeareans, the gentle rapscallionry of Penrod Schofield's or Pudd'nhead Wilson's world. Before he died of a pulmonary embolism at 73, Everett McKinley...
...Master of Sign Language. The most renowned play associated with this theater company is Chushingura, an 18th century saga of honor and bloody revenge that is almost Sicilian in tone. In its entirety, the play runs to eleven acts and two days, but only the first four acts are being performed by the Grand Kabuki during its current U.S. tour. The story is transparently simple. Moronao, the governor of Kamakura, lusts after Lady Kaoyo, the wife of Hangan, one of Moronao's deputies. She rebuffs him. Moronao is furious and showers abuse on the unsuspecting and inoffensive Hangan. Pushed...
Every little gesture has meaning in Kabuki theater, and the twitch of an eyebrow can be as electric as a lightning bolt. One of the stars of the company, Baiko, is a master of this sign language, and he plays Hangan with expressively poignant force. With staggering ease, Baiko also dominates the second number on the program, Kagami-Jishi (The Mirror Lion Dance), in which he plays a shy flower-loving maiden who turns into the king of beasts. (All female roles are played by men in Kabuki theater.) The three-stringed twang of the samisen haunts the entire evening...
PAPERS. This was old P. Bender Bartlett's specialty, and the Bartlett Boom remains standard. Although many variations are permitted, it was the master's own strategy to assign one two-page and one thirty-page paper each term. He criticized the two-pager in great detail, and marked it stiffly; thus students were driven to invest a good deal of time into the thirty-pager-only to get it back ungraded, with the comment, " I don't think one can measure an effort of this sort by a number or letter...