Word: masters
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Dates: during 1960-1969
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...challenge only the grading that relegates the Master Sherlock Holmes to Straight City, after running him, blasphemously and preposterously, with Charlie Chan, who gets into Valhalla. Chan, an amusing charlatan, should have been paired with Mr. Moto, and that correct company could well sustain your preference. But Holmes should be paired either with Dr. Watson or Conan Doyle (proving again that the creature can be greater than the creator); in any case, to make this correct evaluation is to place Sherlock Holmes automatically into the "Yes" column. If you placed Conan Doyle beside Edgar Allan Poe, then certainly Doyle would...
...Truffaut's abiding humanism. Perhaps his favorite cinematic hero became the subject last year of a classic appreciation: Hitchcock, published by Simon & Schuster. A series of interviews by Truffaut, the dialogue is an insightful exchange that says as much about the sensitive disciple as about the witty, deprecating master...
...fourth. In the hands of Los Angeles-born Gary Karr, 26, the bass sings instead of croaks, and it sings with all the richness of the cello, the warmth of the viola and the agility of the violin. Yet Karr is not content simply to be the master of a narrow field. He wants to broaden the field-by revamping the technique of bass playing and bringing the instrument into its own as a solo voice. "My intention is to start revolutions," he says. "Most bass music doesn't demand very much, and most bass players...
...Mikhail Bulgakov, the satirical novelist and playwright who died in 1940, but so far they have not screwed their courage up to the point of publishing The Heart of a Dog, a novel recently spirited out of Russia in manuscript form. Bulgakov's complex and comical allegory, The Master and Margarita, was judged fit to be published in his homeland, after some ideological laundering. That was followed by Black Snow, a cudgeling of Stanislavsky. But these satires of Soviet life were devious enough so that the literary bureaucracy could pretend that they were not satire...
...mistaking Bulgakov's target in The Heart of a Dog: it is the boorish, overweening, ignorant, slogan-stuffed Soviet proletarian. Bulgakov wrote this short, scornful novel in 1925, drawing on his inexhaustible supply of contempt. Its method is the "fantastic realism" he was to use later in The Master and Margarita. Matter-of-fact becomes matter-of-fantasy; madly grotesque events are described in the language of naturalism...