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...safes and hijacking tractors. His estranged wife and her mother slouch around their dreary house staring at TV. Brad Jr. (Sean Penn) is searching for something worth spending his teenage energy on: maybe his lay-about friends, maybe that cute 16-year-old he's just met (Mary Stuart Masterson), maybe the toxic dream of emulating his old man. You've got to act, Brad. So be a thief and impress your friends. Join your dad's gang; make him proud. Buy your girlfriend a necklace and watch her eyes pop. Be a man and try not to look back...

Author: /time Magazine | Title: Cinema: Is This the Family Gun, Dad? At Close Range | 4/28/1986 | See Source »

...hanging themselves. Within the strictures and excesses of Method acting, most of them do just fine. Christopher Penn (Sean's brother) is good as a slow wit with a long fuse; Eileen Ryan (Sean's and Christopher's mother) plays their grandma as a silent witness against familial treachery. Masterson has a face and a talent worth watching. Walken, flashing Faginese charm across his splendidly wasted face, is a monster any son could find walking into his nightmares...

Author: /time Magazine | Title: Cinema: Is This the Family Gun, Dad? At Close Range | 4/28/1986 | See Source »

Directed by Peter Masterson...

Author: By Robert F. Cunha, | Title: Horn of Plenty | 2/7/1986 | See Source »

...Carlos Murphy's, a restaurant in La Jolla, Calif., where technicians enhance the performances by projecting singers' images on a giant video screen and playing applause tapes afterward. "If the sing-along machine were put in every nightclub, it would cut into psychiatrists' business by 50%," says Ed Masterson, who produces the club's sing-out. "It's a tremendous release. You become someone important, even if it's only for a night." And for an encore? "I did it my way," of course...

Author: /time Magazine | Title: Living: Song of Myself, on Tape | 7/15/1985 | See Source »

...light that forces audiences to rethink it and savor it anew. Renaissance vendettas can seem remote, "operatic," unreal, but transplanted to Mulberry Street in the 1950s, they take on a grimy, visceral immediacy. In the major roles, John Rawnsley as Rigoletto displays a rich, focused baritone, and Valerie Masterson as Gilda has a clear, secure high soprano. Tenor Arthur Davies' voice is a little light for the Duke, but he manages to make the character at once attractive and morally repugnant. As the trampy siren...

Author: /time Magazine | Title: Music: Verdi with a Jukebox | 6/11/1984 | See Source »

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