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...world premiere of Peter Sculthorpe's Requiem for choir and orchestra in Adelaide, the audience was respectfully poised for what was expected to be a masterwork from this father of modern Australian composition. What began to issue from the stage was suitably piquant, with cello passages that seemed to weep in waterfalls of sound. Then, in the second movement, something miraculous occurred. Walking slowly from the back of the hall toward the stage came a gentle giant of a man, his 1.9-m bulk wrapped around a hollowed tree trunk into which he breathed. Sculthorpe's music at once expanded...

Author: /time Magazine | Title: Humming Symphony | 8/21/2006 | See Source »

...discussion of Remembrance of Things Past with a flirtatious male don, for winning him a place at Cambridge. Here he repays the favor with a Proustian portrait of his hero, adding layer upon layer of sometimes miscellaneous information, in vaguely chronological order. Though Proust always insisted his masterwork was not a roman à clef, Davenport-Hines shows the parallels between Proust and his fictional narrator, real figures and the fabricated ones. Born in Paris to a rich Jewish mother and a Catholic physician father, Proust was a nervous, asthmatic child who grew up to be, in Davenport-Hines' phrase...

Author: /time Magazine | Title: A Night to Remember | 3/5/2006 | See Source »

...Then again, Joyce was no Heidi Klum. O.K., Project Runway, Klum's Bravo reality show about fashion designers, is not a masterwork of Western civilization. But it pulls off a rare feat: it makes the creative process entertaining. In Season 1 last winter, a cast of wannabe Vera Wangs squared off in design challenges that included sewing outfits from grocery-store items (the best entries used a lawn chair and cornhusks). In Season 2 (Wednesdays, 10 p.m. E.T.), one designer concocts a dress so audacious it may fall apart on the runway: it's held together by magnets. Other television...

Author: /time Magazine | Title: On Pins and Needles | 12/9/2005 | See Source »

...Frank Gehry: Weisman Art Museum Like Frank Lloyd Wright, Gehry, 64, seems to become fresher and more creative as he ages. This year's masterwork is the Frederick R. Weisman Art Museum at the University of Minnesota in Minneapolis. The smallish museum concentrates on 20th century American art, and the exterior can be seen as a tough, gleefully manic (that is, American) work of Cubist sculpture or as a giant brushed-stainless-steel popcorn kernel, or as a wizard's castle in some 23rd century fairy tale. Inside, where huge skylights bathe the galleries in sunlight, the feeling is serene...

Author: /time Magazine | Title: THE BEST DESIGN OF 1993 | 11/3/2005 | See Source »

...series of single gag panels. Gorgeously designed and printed on heavy, off-white paper Walt and Skeezix also comes with a rich trove of photos and archival background material, making this weighty brick of a book a revelation. "Gasoline Alley" clearly belongs in the cannon as a deeply American masterwork of cartooning...

Author: /time Magazine | Title: A Bright, Well-lit 'Alley' | 7/9/2005 | See Source »

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