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Word: mastroianni (lookup in dictionary) (lookup stats)
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MARRIAGE-ITALIAN STYLE. A slut's progress from a bawdyhouse to a legal bed takes 20 years, but time passes quickly-thanks to Director Vittorio De Sica (Yesterday, Today and Tomorrow) and his well-tempered stars, Sophia Loren and Marcello Mastroianni...

Author: /time Magazine | Title: Television: Jan. 29, 1965 | 1/29/1965 | See Source »

MARRIAGE-ITALIAN STYLE. Director Vittorio De Sica (Yesterday, Today and Tomorrow) pairs Sophia Loren and Marcello Mastroianni in a hilarious, fiercely moral old tearjerker about a Neapolitan pastrymaker who is dragged to the altar by an indomitable tart...

Author: /time Magazine | Title: Time Listings: Jan. 15, 1965 | 1/15/1965 | See Source »

MARRIAGE-ITALIAN STYLE. Director Vittorio De Sica (Yesterday, Today and Tomorrow) fields a pair of champions, Sophia Loren and Marcello Mastroianni, who romp through this hilarious, sentimental, fiercely moral old tearjerker about a Neapolitan pastrymaker who is dragged to the altar by an indomitable tart...

Author: /time Magazine | Title: Television: Jan. 8, 1965 | 1/8/1965 | See Source »

Performed with unbridled Neapolitan gusto by Sophia Loren and Marcello Mastroianni, this hilarious, sentimental, fiercely moral old tear-jerker is only a cousin by marriage to Pietro Germi's memorable comedy, Divorce-Italian Style. Its inspiration is the same rigid divorce laws that make marriage a last resort for Italian males and a Sisyphean challenge for the women who have to weep, cheat, wheedle and trick them into it. Under Director Vittorio De Sica (Yesterday, Today and Tomorrow), the two stars pour themselves into their work and set charm flowing like strong red wine...

Author: /time Magazine | Title: Cinema: Pastryman's Tart | 1/1/1965 | See Source »

Though Marriage occasionally creaks like a piece of stage machinery, Director De Sica cunningly transforms its back street romance into an earthy, exuberant paean to virtue. Mastroianni's vain, middle-aged gallan-checking the coxcomb at every mirror, sneaking into a little dance of smug self-satisfaction -smacks of the satyr that most men yearn to be when the moon is right. And Sophia has become far too perceptive an actress to squander her talents as a mere prostitute-with-a-heart-of-gold. Now wild, now touchingly woebegone, now coolly indomitable, she is Everywoman, Italian style...

Author: /time Magazine | Title: Cinema: Pastryman's Tart | 1/1/1965 | See Source »

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