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Word: mastroianni (lookup in dictionary) (lookup stats)
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YESTERDAY, TODAY AND TOMORROW. In three lusty fables directed by Vittorio De Sica and co-starring Marcello Mastroianni, Sophia Loren proves herself a versatile comedienne, a whole Italian street scene rolled into one woman...

Author: /time Magazine | Title: Television: Mar. 20, 1964 | 3/20/1964 | See Source »

...skull: if she wants to stay in business, she had better stay with child. Next time the carabinieri come, Sophia once more proudly points-and the next time and the next. In approximately seven years she has seven babies, but before she can make it eight her husband (Marcello Mastroianni) collapses in sexhaustion. "Goodbye," she bellows scornfully at poor Marcello as she is led away to prison. "Goodbye, you fairy...

Author: /time Magazine | Title: Cinema: Replenishing Sophia | 3/13/1964 | See Source »

...UMBERTO MASTROIANNI-Bonino, 7 West 57th. This major Italian sculptor (an uncle of Movie Actor Marcello Mastroianni) casts planks and lumps of bronze and gives the tortured results such names as Hiroshima, Violenza, Pearl Harbor. Together, they look like a junk heap of civilization from which blooms a brute mess of skulls, limbs and deformities: machine-age fleurs du mal. Through March...

Author: /time Magazine | Title: Art: Art in New York: Feb. 28, 1964 | 2/28/1964 | See Source »

...impressionistic self-portrait by Federico Fellini, might be termed a stream-of-consciousness film. From beginning to end, the movie follows the mind of film director Guido Anselmi (Marcello Mastroianni). It begins in one of his dreams; it ends with his ecstatic vision...

Author: By Donald E. Graham, | Title: 8 1/2 | 2/4/1964 | See Source »

...film adapted from a novel by Vasco Pratolini. The pace is lento, sometimes troppo lento, but the color photography tactfully subtends the mood of green and yellow melancholy, and Director Valeric Zurlini develops a very real and moving relationship between the hero (Jacques Perrin) and his older brother (Marcello Mastroianni). It is fascinating to watch Mastroianni, who in his recent films (La Dolce Vita, La Notte, 8½) has emerged as the Clark Gable of existentialism, play a simple, decent human being. He does it well...

Author: /time Magazine | Title: Cinema: Death in Florence | 11/22/1963 | See Source »

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