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Word: mastroianni (lookup in dictionary) (lookup stats)
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...Cast as a director remarkably like Italian Director Federico Fellini (who in fact directed the film), Marcello Mastroianni cannot seem to get started on a new movie project. The Fellini-Mastroianni stream of consciousness lays bare the director's inner confusions and frustrations, includes dreams, snatches of vaudeville, a little sex and a lot of religion...

Author: /time Magazine | Title: Time Listings: Jul. 12, 1963 | 7/12/1963 | See Source »

...Cast as a director remarkably like Italian Director Federico Fellini (who in fact directed the film), Marcello Mastroianni cannot seem to get started on a new movie project. The Fellini-Mastroianni stream of consciousness lays bare the director's inner confusions and frustra tions, includes dreams, snatches of vaudeville, a little sex and a lot of religion. The total effect is surprisingly coherent and entertaining...

Author: /time Magazine | Title: Television: Jul. 5, 1963 | 7/5/1963 | See Source »

Pulled down from the sky like a kite, Mastroianni wakes up in a cluttered bedroom at a sleazy spa. Circling sycophants plague him with questions about the movie, tiresome actresses whine that they cannot possibly go before the cameras, reporters pepper him with questions ("Are you a Communist? Are you against the A-bomb...

Author: /time Magazine | Title: Cinema: Director on the Couch | 6/28/1963 | See Source »

Fellini's admitted moral dualism, in which his Roman Catholic upbringing wars with his present nihilism, comes into play. Eager to have an audience with an elderly cardinal, Mastroianni is led, like a sheet-wrapped Dante, down into a fumy inferno where the cardinal is stewing his skinny bones in a steam bath. Then, in a dream, Mastroianni sees himself as the black-cloaked master of a harem surrounded by all the women of his life, who adoringly bathe him, dry him, and carry him to dinner wrapped in a blanket...

Author: /time Magazine | Title: Cinema: Director on the Couch | 6/28/1963 | See Source »

...length, Mastroianni, his staff and friends and his embittered wife sit in a cavernous theater to watch a showing of screen tests. A moment of fantasy: a critic, who has never ceased his sniping, is summarily taken up into the balcony and hanged. Reality again: everyone leaves the theater and a caravan takes them to an eerie Cape Canaveral set for the film, which is to be a science-fiction movie. Reporters badger Mastroianni once more, and he crawls under a table and shoots himself. This clears his head once and for all, and in a moment of revelation...

Author: /time Magazine | Title: Cinema: Director on the Couch | 6/28/1963 | See Source »

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