Word: mastroiannis
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...agenda. Admittedly, the direction is not perfect. The story only begins to cohere around the 40-minute mark, helped along by the introduction of Jennifer Lawrence as Mariana, a teen whose mother’s affair forces her to grow up too fast. Lawrence has already received the Marcello Mastroianni Award for emerging actors at the Venice Film Festival—an honor previously given to fellow Arriaga actor Gael García Bernal—which her bracing performance richly deserves. Although uniformly believable, the remaining cast does not reach Theron’s or Lawrence?...
...close look at Apple's branding prowess and even asks them to benchmark their activities against the company. His biggest success at Fiat is the 500--a tiny, very cool 21st century version of a 52-year-old Italian icon once driven by movie stars such as Marcello Mastroianni and Sophia Loren--which Marchionne calls "our iPod...
...close look at Apple's branding prowess and even asks them to benchmark their activities against the company. His biggest success at Fiat is the 500 - a tiny, very cool 21st century version of a 52-year-old Italian icon once driven by movie stars such as Marcello Mastroianni and Sophia Loren - which Marchionne calls "our iPod." (See pictures of cars in the movies...
...shown today, with the director, who will be 100 on December 11, in attendance. Oliveira has been a mainstay in the Cannes competition for a quarter century, providing such sere delights as The Cannibals (with its comic shock of a conclusion), Voyage to the Beginning of the World (Marcello Mastroianni's last great film) and I'm Going Home, with a wonderful role for French film luminary Michel Piccoli. Piccoli was onstage to present an honorary Palme d'Or to the director who had never won one in competition. "Finally," Oliveira impishly exclaimed as he kissed the award...
...filmgoer had to be diverted by the beautiful people in an Antonioni cast: stunners like Marcello Mastroianni, Jeanne Moreau, Alain Delon and especially Monica Vitti, the director's mistress and muse for five crucial films. These stars helped Antonioni make anxiety glamorous, passivity photogenic, entropy entertaining. You could say he made "boring" interesting...