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Word: mastroiannis (lookup in dictionary) (lookup stats)
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...Deneuve's 31st birthday. Then the star settled down to read a batch of congratulatory telegrams. Among them was a sign of a hard-working actress's lot: telegraphed greetings from her children, Christian, 11, son of Director Roger Vadim, and Chiara, 2, daughter of Actor Marcello Mastroianni...

Author: /time Magazine | Title: People, Nov. 4, 1974 | 11/4/1974 | See Source »

...Organizer, a relatively obscure but reportedly excellent film about the politics of the Italian Left at the end of the 19th century, is showing at the Science Center tonight and tomorrow at 7 and 9:30. Marcello Mastroianni stars in this film made in 1963 by director Monicelli. Tickets...

Author: NO WRITER ATTRIBUTED | Title: THE SCREEN | 8/9/1974 | See Source »

...Mastroianni. Marcello Mastroianni always seems the epitome of the bourgeois Italian, a man who has the time and the interest to cultivate the appearance of urbanity for its own sake. Even when, as in La Dolce Vita, he had an aloof, introspective, critical streak as an observer of society, he was still getting himself involved in meaningless ego-enhancing encounters with Italian starlets. To me, the hedonistic pilot he played in The Grand Bouffe seemed the perfect role...

Author: By Richard Shepro, | Title: THE SCREEN | 2/28/1974 | See Source »

...Organizer (1961), showing at the Brattle, Marcello Mastroianni is a different man: leading a worker's rebellion. The Organizer may be his best film. Certainly director Mario Monicelli has put together one of the best films about a labor movement, carefully drawing his characters; building up suspense as the workers begin to organize; moving, with precise editing, to a gloomy yet somehow very inspiring ending. Set in Turin in the late 19th century, this film has a photographic restraint which keeps it from preaching. Monicelli never overdoes a scene. He presents striking scenery, for example, in a mature...

Author: By Richard Shepro, | Title: THE SCREEN | 2/28/1974 | See Source »

EATING BECOMES A LEWD act. Mastroianni, however, longs for real sex, so he calls for his tarts. One of these whores throws herself naked on a cake; sex and eating become one and the same. Except in that director Marco Ferreri depicts eating in complete pornographic detail while restricting his portrayal of sex to angles and acts which coyly protect his male stars and are well within the soft-core boundaries of major studio productions...

Author: By Richard Shepro, | Title: Pumping the Stomach | 11/1/1973 | See Source »

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