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Word: matadores (lookup in dictionary) (lookup stats)
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...from the drama of the bullfight to the drama of Casey Cowen, age 25, struggling comedian in New York City? "I like the irony in the title," says Liz Coe, "I see the comedian as synonymous with the matador, very much in an arena, and required to defend herself with the only weapons available. She has what can be likened to a sword--her aggressive sense of humor. Her cape is her sense of humor used as a disguise...

Author: By Phil Patton, | Title: Enter the Arena: Liz Coe | 3/16/1972 | See Source »

...herself is no novice at handling the dramatic sword and cape. She began both writing and directing plays in high school, and has studied playwriting under William Alfred. The Bull Only Gets the Matador Once in a Lifetime numbers as her fifth product. Beyond this, she has done extensive directing, including productions of Joe Egg and Look Back in Anger at the Loeb last year, and two one-acts, Black Comedy and The Public Eye, last fall. In May she returns to the Loeb to direct the Harvard Dramatic Club Production of Moliere's Imaginary Invalid...

Author: By Phil Patton, | Title: Enter the Arena: Liz Coe | 3/16/1972 | See Source »

...perhaps the most important thing that she did at the Loeb was early in her freshman year when she met Emily Mann, who directs The Bull Only Gets the Matador Once in a Lifetime. "We were standing in the lobby and started talking," remembers Coe, "and Emily said 'I love No Exit; I directed No Exit twice,' and I said 'I hate No Exit' and so that's how we became friends." A classic meeting of minds, if ever there was one, followed by collaboration in Look Back in Anger, when Mann acted and Coe directed. And Emily Mann...

Author: By Phil Patton, | Title: Enter the Arena: Liz Coe | 3/16/1972 | See Source »

...convince the audience...Our friendship and mutual respect really have been important." From this relationship arises a sort of interplay between the different demands of loyalty to the script and of convincing production, an interplay which is like--well, not so very different from the dramatic kinship of matador and bull...

Author: By Phil Patton, | Title: Enter the Arena: Liz Coe | 3/16/1972 | See Source »

Both Coe and Mann are pleased with the growing recognition of Radcliffe dramatic talent which large-scale production of The Bull Only Gets the Matador Once in a Lifetime represents, but also feel what Mann symbolizes as, "I don't want to be thought of as a directress; I am a director." Both are quietly confident of script and cast, and Casey Cowen takes the stage tonight for the first time, with figurative sword and cape...

Author: By Phil Patton, | Title: Enter the Arena: Liz Coe | 3/16/1972 | See Source »

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