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...Baxters meet two sisters, one of whom is blind and psychic. The sisters (well played by Hilary Mason and Clelia Matania) reassure the couple of the happiness of their dead daughter. But they sense danger, too. They tell Baxter that his life is in peril while he remains in Venice. He does not believe them, but he is bothered by strange presentiments, and by the persistent reappearance of a small figure in a hooded red raincoat-the garment his daughter was wearing when she drowned...

Author: /time Magazine | Title: Cinema: Second Sight | 12/10/1973 | See Source »

High Life. Fortunino Matania came to Britain at the end of the Victorian era, when he was 19. The son of an Italian illustrator, he was trained to magazine work and covered the kinds of auspicious occasions now assigned to photographers. His first big job for a British journal was the coronation of Edward VII. "Rapidity and accuracy, that was what mattered," says Matania. He had both, and British editors kept him hopping for the next 25 years. In World War I, he spent four years in the trenches, sent out thousands of drawings that established...

Author: /time Magazine | Title: Art: Classical Pin-Ups | 9/24/1951 | See Source »

...after the war, when he switched to scenes of ancient high life for the British woman's magazine, Britannia and Eve, that Matania found his real career. He filled his London studio with reproductions of Roman furniture, pored over history books for suitably lively subjects. Then, with the help of models and statues, he began to paint such subjects as Samson & Delilah, the bacchanalian roisters of ancient Rome, and even early American Indian maidens-all with the same careful respect for accuracy and detail he had used in his news assignments...

Author: /time Magazine | Title: Art: Classical Pin-Ups | 9/24/1951 | See Source »

Generally he managed to include one or two voluptuous nudes in each picture. "The public demanded it," says Matania. "If there was no nude, then the editor or I would get a shower of letters from readers asking politely why not." He was a standard in Britannia and Eve for 19 years...

Author: /time Magazine | Title: Art: Classical Pin-Ups | 9/24/1951 | See Source »

Slices of Flesh. Although ill health has forced him to give up his regular magazine work, Matania is convinced that there is still a demand for his nudes, intends "to live as long as I can" and paint them. Leggy modern pinups he considers poor stuff. "Vulgar and artificial," he says. "Copies of photographs with slices of lovely flesh cut off the thighs...

Author: /time Magazine | Title: Art: Classical Pin-Ups | 9/24/1951 | See Source »

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