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Dates: during 2010-2019
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...Books of The Odyssey” calls to mind the continual beginnings of Calvino’s “If on a Winter’s Night a Traveler,” and the distorted views of Venice in “Invisible Cities” find their match in Mason’s ever-refracted portrait of Odysseus. Both authors leave the reader with the task of sorting through their sketches. Like Calvino, Mason trades in shadows...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Mason Reinvents Homer’s ‘Odyssey’ in ‘The Lost Books’ | 2/17/2010 | See Source »

Though the second half of the album is clearly no match for the opening, it does contain some gems. “Running From the Cops” has Carter singing through garbling effects similar to those found on Aphex Twin songs. Though these effects can be grating, they do add some variety to the vocals in their oddity. “You Are the Ocean” is the only track with Carter on lead vocals that truly succeeds in being an emotional and catchy tune, proving he can be an effective lead singer, not just a guy playing...

Author: By Parker A. Lawrence, CONTRIBUTING WRITER | Title: Phantogram | 2/17/2010 | See Source »

Dartmouth, which sends skiers to the Winter Olympics every four years, remains leagues ahead of the Crimson, but if the rest of Harvard’s skiers can match the performances of its women’s nordic team, the rest of the pack...

Author: By Christina C. Mcclintock, CRIMSON STAFF WRITER | Title: Skiing Posts Solid Results | 2/17/2010 | See Source »

...alpine skier Catherine Sheils who followed up her 18th-place finish in last weekend’s giant slalom with another strong performance. This one coming in the slalom, where Shiels took 22nd in both the first and second runs of the event. The freshman didn’t match the promise she showed in last weekend’s exhibition, where she placed third out of the collegiate field, but her performance was the strongest individual result the team had outside of the women’s nordic team...

Author: By Christina C. Mcclintock, CRIMSON STAFF WRITER | Title: Skiing Posts Solid Results | 2/17/2010 | See Source »

...providing solid accompaniment to jaunty piano reminiscent of Belle and Sebastian. Vibraphone and hand claps, as well as the background “doo-wops” and “la-la-las,” imbue the song with genuine charm. It doesn’t quite match the innovation of the more experimental tracks, but it does prove a memorable addition to Tindersticks’ vast repertoire...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Tindersticks | 2/17/2010 | See Source »

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