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...personal motto was Semper idem (always the same) and he lived up to it with matchless rigor. Prior to the liberalizing Second Vatican Council, Alfredo Cardinal Ottaviani was one of the most feared and powerful princes of the Roman Catholic world. His authority as a ranking doctrinal watchdog came from his influence within the Holy Office. Ottaviani was half blind but, the Vatican saying went, "sees more with one eye than most see with two." Armed with a steely mind and consummate dedication, he became in his own word, a "carabiniere" (policeman) of orthodoxy. Even after the windows...

Author: /time Magazine | Title: Religion: A Cardinal Carabiniere | 8/13/1979 | See Source »

...also never too late to read or reread Waugh. His vitality, matchless craftsmanship, audacious imagination and stinging perceptions ("She wore the livery of the highest fashion, but as one who dressed to inform rather than to attract") have not dated. Like Charles Ryder, the painter hero of Brideshead Revisited, Waugh focused "the frankly traditional battery of his elegance and erudition on the maelstrom of barbarism...

Author: /time Magazine | Title: Books: Fifty Years of Total Waugh | 2/12/1979 | See Source »

...relieved than Jimmy Carter and his chief diplomatic aides, for they were preparing to welcome Gromyko to Washington over the weekend for what might prove to be an important new phase of the Carter Administration's 18-month preoccupation with SALT II negotiations. Gromyko is by now a matchless expert in the technicalities of strategic arms, and there is no real replacement for him on the Soviet side. "If his illness had been any worse," said one vastly relieved U.S. diplomat, "we could have kissed SALT goodbye for another six months...

Author: /time Magazine | Title: Nation: Coming Closer to SALT II | 10/9/1978 | See Source »

...sketches in these characterizations with a few gestures-flinging up his arms, walking a few steps, sitting, taking a well-judged pause for a sip of water. But mostly this is acting, as the saying goes, from the neck up. It rests on vocal virtuosity, powerfully abetted by the matchless pith and vigor of the King James version...

Author: /time Magazine | Title: Theater: Telling Triumph | 9/18/1978 | See Source »

Chekhov had a matchless co-author -the audience. That is what makes him actor-proof. Any of his plays may be somewhat miscast, or slightly askew in performance, as this Stratford production of Uncle Vanya is, yet the audience customarily leaves the theater in a state of emotional agitation, if only by what it has itself contributed...

Author: /time Magazine | Title: Theater: Shakespeare, Chekhov & Co. | 6/26/1978 | See Source »

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